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Law and the Visual : Representations, Technologies, Critique /
In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
| Otros Autores: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Copyright; Contents; Introduction: Imaginal Law; Part One: Representations
- The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries; 1: Blindness Visible: Law, Time, and Bruegel's Justice; 2: Faces and Frames of Government; 3: An Emblematic Representation of Law: Hogarth and the Engravers' Act; 4: Law and the Revolutionary Motif after Jacques-Louis David; 5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation; 6: The Visual Force of Justice in the Making of Liberia.
- Part Two: Technologies
- Excesses of Legal Modernity in the Twentieth Century7: "You Will See My Family Became So American": Race, Citizenship, and the Visual Archive; 8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking; 9: Images of Victims: The ECCC and the Cambodian Genocide Museum; 10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment; Part Three: Critique
- Irony and Legal Modernity in the Twenty-First Century; 11: T-Shirt's Guevara: The Visual Jurisprudence of the New Man.
- 12: The Art of Bureaucracy: Redacted Ready-mades13: Illicit Interventions in Public Non-Spaces: Unlicensed Images; 14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence; Contributors; Index.