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Law and the Visual : Representations, Technologies, Critique /

In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.

Detalles Bibliográficos
Otros Autores: Manderson, Desmond (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Law and the Visual :   |b Representations, Technologies, Critique /   |c edited by Desmond Manderson. 
264 1 |a Toronto :  |b University of Toronto Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2018] 
300 |a 1 online resource (376 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Copyright; Contents; Introduction: Imaginal Law; Part One: Representations -- The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries; 1: Blindness Visible: Law, Time, and Bruegel's Justice; 2: Faces and Frames of Government; 3: An Emblematic Representation of Law: Hogarth and the Engravers' Act; 4: Law and the Revolutionary Motif after Jacques-Louis David; 5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation; 6: The Visual Force of Justice in the Making of Liberia. 
505 0 |a Part Two: Technologies -- Excesses of Legal Modernity in the Twentieth Century7: "You Will See My Family Became So American": Race, Citizenship, and the Visual Archive; 8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking; 9: Images of Victims: The ECCC and the Cambodian Genocide Museum; 10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment; Part Three: Critique -- Irony and Legal Modernity in the Twenty-First Century; 11: T-Shirt's Guevara: The Visual Jurisprudence of the New Man. 
505 0 |a 12: The Art of Bureaucracy: Redacted Ready-mades13: Illicit Interventions in Public Non-Spaces: Unlicensed Images; 14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence; Contributors; Index. 
520 |a In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses. 
546 |a In English. 
588 |a Description based on print version record. 
650 7 |a Law and art.  |2 fast  |0 (OCoLC)fst00993894 
650 6 |a Droit et art  |x Histoire. 
650 0 |a Law and art  |x History. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
700 1 |a Manderson, Desmond,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/107290/ 
945 |a Project MUSE - Custom Collection