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The Art of Subtraction : Digital Adaptation and the Object Image /

"The Art of Subtraction is the first full-length study on the CD-ROM as a creative platform. Bruno Lessard traces the rise and relatively rapid fall of the CD-ROM in the 1980s and 1990s and its impact as a creative platform for media artists such as Jean-Louis Boissier, Zoe Beloff, Adriene Jeni...

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Detalles Bibliográficos
Autor principal: Lessard, Bruno, 1977- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Lessard, Bruno,  |d 1977-  |e author. 
245 1 4 |a The Art of Subtraction :   |b Digital Adaptation and the Object Image /   |c Bruno Lessard. 
264 1 |a Toronto :  |b University of Toronto Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2017] 
300 |a 1 online resource (248 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Copyright page; Contents; Acknowledgments; Introduction; 1 Back to the Future: The Rise of CD-ROM; 2 In the Realm of Digital Heterotopias: Exploring CD-ROM Space; 3 A Sensuous Gaze: Interactive Chronophotography and Relation-Images; 4 A Cinema of One's Own: The Mediumistic Performance of the Female Body; 5 Spaces of Desire: Mapping and Translating Lesbian Reality; 6 In Search of Lost Space: Photographic Memories and the Digital Punctum; Conclusion; Notes; Bibliography; Index. 
520 |a "The Art of Subtraction is the first full-length study on the CD-ROM as a creative platform. Bruno Lessard traces the rise and relatively rapid fall of the CD-ROM in the 1980s and 1990s and its impact as a creative platform for media artists such as Jean-Louis Boissier, Zoe Beloff, Adriene Jenik, and Chris Marker. Although the CD-ROM was not a lasting commercial success it was a vibrant medium that allowed for experimentation in adapting literary works. Building on the work of Gilles Deleuze and Michele Foucault, Lessard establishes a comparative framework for linking digital adaptations with innovative concepts such as 'subtractive adaptation' and the 'object image' that will be of interest to researchers examining literary adaptations on other digital platforms such as websites, smart phones, tablets, and digital games. The Art of Subtraction is a fascinating study of intermediality in the late twentieth century and it provides the first chapter in the yet unwritten history of digital adaptation."--  |c Provided by publisher. 
520 |a The Art of Subtraction is the first full-length study on the CD-ROM as a creative platform. 
588 |a Description based on print version record. 
650 7 |a Literature  |x Adaptations.  |2 fast  |0 (OCoLC)fst00999955 
650 7 |a Digital media.  |2 fast  |0 (OCoLC)fst00893716 
650 7 |a CD-ROMs.  |2 fast  |0 (OCoLC)fst00843362 
650 7 |a SOCIAL SCIENCE / Media Studies  |2 bisacsh 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a CD-ROMs.  |2 aat 
650 6 |a Medias numeriques. 
650 6 |a Cederoms. 
650 6 |a Litterature  |x Adaptations  |x Histoire et critique. 
650 0 |a Digital media. 
650 0 |a CD-ROMs. 
650 0 |a Literature  |x Adaptations  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/107242/ 
945 |a Project MUSE - Custom Collection