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Antimodernism and Artistic Experience : Policing the Boundaries of Modernity
Scholars in art history, anthropology, history, and feminist media studies explore Western antimodernism of the turn of the 20th century as an artistic response to a perceived loss of 'authentic' experience.
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
2015.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Foreword
- Acknowledgments
- Antimodernism and artistic experience: an introduction
- Introduction: around and about modernity: some comments on themes of primitivism and modernism
- Performing the native woman: primitivism and mimicry in early twentieth-century visual culture
- The colonial lens: Gauguin, primitivism, and photography in the fin de siecle
- Emily Carr and the traffic in native images
- Introduction: staging antimodernism in the age of high capitalist nationalism
- Modernists and folk on the lower St. Lawrence: the problem of folk art
- Handicrafts and the logic of 'commercial antimodernism': the Nova Scotia case
- Bushwhackers in the gallery: antimodernism and the Group of Seven
- Introduction: modernity, nostalgia, and the standardization of time
- Artisans and art nouveau in fin-de-siecle Belgium: primitivism and nostalgia
- Van Gogh in the south: antimodernism and exoticism in the Arlesian paintings
- Plays without people: shadows and puppets of modernity in fin-de-siecle Paris
- Primitivism in Sweden: dormant desire or fictional identity?