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Postscript : Writing After Conceptual Art /
One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of...
| Otros Autores: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Denver :
Museum of Contemporary Art,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9781442621015 | ||
| 020 | |z 9781442649842 | ||
| 020 | |z 9781442621107 | ||
| 035 | |a (OCoLC)1041479210 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Postscript : |b Writing After Conceptual Art / |c edited by Andrea Andersson. |
| 264 | 1 | |a Denver : |b Museum of Contemporary Art, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (432 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |6 880-01 |a Frontmatter -- Contents -- Acknowledgments -- Preface / Abrams, Nora Burnett -- "I, too, wondered ... ": An Introduction to Conceptual Writing after Conceptual Art / Andersson, Andrea -- The Conceptualist Turn: Wittgenstein and the New Writing / Perloff, Marjorie -- From "The Fate of Echo" (Introduction to Against Expression: An Anthology of Conceptual Writing) / Dworkin, Craig -- Was Ist Los / Price, Seth -- Echo????? / Place, Vanessa -- Sharon Hayes and Most People / Haidu, Rachel -- Keynote: What Do We Mean by Performance Writing? / Bergvall, Caroline -- Rescuing the Past: Repetition and Re-enactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes / Greaney, Patrick -- From Notes on Conceptualisms / Fitterman, Robert / Place, Vanessa -- The Melancholy of Conceptualism / Golston, Michael -- Untimely Models / Shaw, Lytle -- Indifferent Voices / Elliman, Paul -- A Week of Blogs for the Poetry Foundation / Goldsmith, Kenneth -- Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing / Reed, Brian -- To Teach and Delight -- A Few Precedents for an Art of Instruction / Chaffee, Cathleen -- Semantic Analysis: The Art of Parsing Found Text / Cook, Sarah -- Conceptual Computing and Digital Writing / Montfort, Nick -- Poetry without Poets / Wershler, Darren -- Documents from "True Mirror" / Reinfurt, David / Bailey, Stuart -- From Materiality to Dematerialization and Back: Conceptual Writing in a Digital Age / Allen, Gwen -- Little Bastard: The Invention and Introduction of a New Word / Gander, Ryan / Fisher, Alice / Bailey, Stuart -- What Was Conceptual Writing? / Thurston, Nick -- The Bioinformatic Sublime: The Life of Data and the Data of Life in Conceptual Writing / Stephens, Paul -- Two Dots over a Vowel / Bök, Christian -- Like in Valencia: On Translating Equivalence / De La Torre, Mónica -- Russian Lessons for Conceptual Writing / Edmond, Jacob -- Reading as Art / Morris, Simon / Campbell, Thomas -- Ambivalence of the Grid / Kotz, Liz -- The Concrete, the Conceptual, and the Galáxias / Bessa, Antonio Sergio -- N.B. / Kim-Cohen, Seth -- Plagiarism: A Response to Thomas Fink / Lin, Tan -- Bibliography -- Index | |
| 520 | 8 | |a One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively challenge the existing scholarship on conceptual art. Rather than segregating the work of visual artists from that of writers we are shown the ways in which conceptual art is, and remains, a mutually supportive interaction between the arts. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Written communication. |2 fast |0 (OCoLC)fst01181697 | |
| 650 | 7 | |a Literature, Experimental. |2 fast |0 (OCoLC)fst01000149 | |
| 650 | 7 | |a Conceptualism. |2 fast |0 (OCoLC)fst00872986 | |
| 650 | 7 | |a Conceptual art. |2 fast |0 (OCoLC)fst00872980 | |
| 650 | 7 | |a Art and literature. |2 fast |0 (OCoLC)fst00815400 | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a Conceptual. |2 aat | |
| 650 | 6 | |a Communication ecrite. | |
| 650 | 6 | |a Conceptualisme. | |
| 650 | 6 | |a Art conceptuel. | |
| 650 | 6 | |a Litterature experimentale. | |
| 650 | 6 | |a Art et litterature. | |
| 650 | 0 | |a Written communication. | |
| 650 | 0 | |a Conceptualism. | |
| 650 | 0 | |a Conceptual art. | |
| 650 | 0 | |a Literature, Experimental. | |
| 650 | 0 | |a Art and literature. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Andersson, Andrea, |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 880 | 0 | |6 505-01/(S |a Preface / Nora Burnett Abrams -- "I, too, wondered ..." : an introduction to conceptual writing after conceptual art / Andrea Andersson -- The conceptualist turn : Wittgenstein and the new writing / Marjorie Perloff -- From "The Fate of echo" (Introduction to Against expression : an anthology of conceptual writing) / Craig Dworkin -- Was ist los / Seth Price -- Echo 'Hχώ / Vanessa Place -- Sharon Hayes and most people / Rachel Haidu -- What do we mean by performance writing? / Caroline Bergvall -- Rescuing the past : repetition and re-enactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes / Patrick Greaney -- From Notes on conceptualisms / Robert Fitterman and Vanessa Place -- The melancholy of conceptualism / Michael Golston -- Untimely models / Lytle Shaw -- Indifferent voices / Paul Elliman -- A week of blogs for the Poetry Foundation / Kenneth Goldsmith -- Give them what they want : populist rhetoric in conceptual art and writing / Brian Reed -- To teach and delight : a few precedents for an art of instruction / Cathleen Chaffee -- Semantic analysis : the art of parsing found text / Sarah Cook -- Conceptual computing and digital writing / Nick Montfort -- Poetry without poets / Darren Wershler -- Documents from "True mirror" / David Reinfurt and Stuart Bailey -- From materiality to dematerialization and back : conceptual writing in a digital age / Gewn Allen -- Little bastard : the invention and introduction of a new word / Ryan Gander with Alice Fisher and Stuart Bailey -- What was conceptual writing? / Nick Thurston -- The bioinformatic sublime : the life of data and the data of life in conceptual writing / Paul Stephens -- Two dots over a vowel / Christian Bök -- Like in Valencia : on translating equivalence / Mónica de la Torre -- Russian lessons for conceptual writing / Jacob Edmond -- Reading as art / Simon Morris and Thomas Campbell -- Ambivalence of the grid / Liz Kotz -- The concrete, the conceptual, and the Galáxias / Antonio Sergio Bessa -- N.B. / Seth Kim-Cohen -- Plagiarism : a response to Thomas Fink / Tan Lin. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/106747/ |
| 945 | |a Project MUSE - Custom Collection | ||