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The Ibero-American Baroque /
"The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
University of Toronto Press,
[2022]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Figures
- Acknowledgments
- Introduction: The Ibero-American Baroque as the First Global Culture
- Part 1. Painting, Sculpture, and Other Arts
- 1. Transfers, Encounters, Innovations: The Church of the Third Order of Saint Francis of Penance in Ouro Preto
- 2. The Elevation of the Genre of "Shrine Paintings" in Peru
- 3. Baroque Reliquaries and Automata as Representations of Eternal Life
- 4. Marian Sculpture in Baroque Portuguese America
- Part 2. Architecture
- 5. Presence and Absence: The Holy House of Loreto in Ibero-America
- 6. From Intimate to Infinite Presence: The Camarín at Tepotzotlán
- 7. Passion in Motion: The Way of the Cross as Performance in New Spain
- Part 3. Music
- 8. Music in Processions at the Jesuit Reducciones of Moxos and Chiquitos in Bolivia
- 9. Neapolitan Technology and Galant Style in a Novohispano Context: Eight Concerted Responsories by Ignacio Jerusalem
- 10. The Resonance of Sor Juana's Villancicos in Spanish Cathedral Archives
- Part 4. Textual Continuities and Change
- 11. Emblems and Wit in the Hispanic Baroque according to Baltasar Gracián
- 12. The Baroque as Paradox: Novelty and Printed Courtly Sermons in Seventeenthand Eighteenth-Century New Spain
- 13. The Literary Dream in Querétaro: A Baroque Genre and Enlightenment Ideals in New Spain
- Contributors
- Index
- Toronto Iberic