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Privacy in the Age of Shakespeare /

"For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges thes...

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Detalles Bibliográficos
Autor principal: Huebert, Ronald, 1946- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Huebert, Ronald,  |d 1946-  |e author. 
245 1 0 |a Privacy in the Age of Shakespeare /   |c Ronald Huebert. 
264 1 |a Toronto :  |b University of Toronto Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2016. 
300 |a 1 online resource (352 pages). 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Preface -- Bibliographical Note -- Introduction Privacy: The Early Social History of a Word -- Chapter 1. Invasions of Privacy in Shakespeare -- Chapter 2. Private Devotions -- Chapter 3. Voyeurism -- Chapter 4. The Commonplace Book and the Private Self -- Chapter 5. Privacy and Gender -- Chapter 6. Privacy in Paradise -- Chapter 7. Privacy and Dissidence -- Chapter 8. 'A Fine and Private Place': Andrew Marvell -- Conclusion. 
520 |a "For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare's time that the idea of privacy went from a marginal notion to a desirable quality. The era of transition begins with More's Utopia (1516), in which privacy is forbidden. It ends with Milton's Paradise Lost (1667), in which privacy is a good to be celebrated. In between come Shakespeare's plays, paintings by Titian and Vermeer, devotional manuals, autobiographical journals, and the poetry of George Herbert and Robert Herrick, all of which Huebert carefully analyses in order to illuminate the dynamic and emergent nature of early modern privacy."--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Privacy in literature.  |2 fast  |0 (OCoLC)fst01077443 
650 7 |a English literature  |x Early modern.  |2 fast  |0 (OCoLC)fst01710960 
650 7 |a DRAMA / Ancient & Classical  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 6 |a Vie privee dans la litterature. 
650 0 |a Privacy in literature. 
650 0 |a English literature  |y Early modern, 1500-1700  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
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