Objects of Culture in the Literature of Imperial Spain /
Collecting and displaying finely crafted objects was a mark of character among the royals and aristocrats in Early Modern Spain: it ranked with extravagant hospitality as a sign of nobility and with virtue as a token of princely power. This book explores how the writers of the period shared the same...
Otros Autores: | , |
---|---|
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Toronto :
University of Toronto Press,
2013.
|
Colección: | Book collections on Project MUSE.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ""Fig. 3 Antonio Pereda. The Knightâ€?s Dream [Sueño del Caballero], 1655.""""Fig. 4 Titian. Danaë, 1553â€?4.""; ""Fig. 5 Marcantonio Raimondi. Death of Lucretia, ca. 1510â€?11.""; ""Chapter 11""; ""Fig. 1 Title page of the mid-sixteenth-century Portuguese translation of the Oración de la Emparedada.""; ""Chapter 13""; ""Fig. 1 Titian. Bacchus and Ariadne, 1520â€?3.""; ""Chapter 14""; ""Fig. 1 Justus Tiel. Allegory of the Education of Philip III, 1592.""; ""Fig. 2 Alfonso SÃnchez Coello, Isabella Clara Eugenia, and Magdalena Ruiz, 1580.""
- ""Cover""; ""Contents""; ""List of Illustrations""; ""Chapter 1""; ""Fig. 1 The Abdication of Charles V, engraving, Frans Hogenberg, ca. 1558.""; ""Fig. 2 Surrender of Francis I from the Battle of Pavia tapestry series. Bernaert van Orley, ca. 1528â€?31.""; ""Fig. 3 The Seignorial Life: Embroidery, ca. 1520.""; ""Fig. 4 Diego VelÃzquez. Las hilanderas, ca. 1655â€?60.""; ""Chapter 3""; ""Fig. 1 William Hogarth. Country Inn Yard, 1747.""; ""Fig. 2 Antonio Pereda. Allegory of Vanitas (Allegory of Fleeting Time), ca. 1634.""
- ""Fig. 3 Alfonso SÃnchez Coello. Portrait of Philip II of Spain, 1566.""""Fig. 4 Juan Pantoja de la Cruz (attributed to). The Somerset House Conference, ca. 1604.""; ""Preface""; ""Part One: Objects of Luxury and Power""; ""1 Gifts for the Vicereine of Naples: The Weavings of Garcilasoâ€?s Third Eclogue""; ""2 Artful Edifices and the Construction of Identity in Montemayorâ€?s Diana and Lopeâ€?s Arcadia""; ""3 The Artful Gamblers: Wagering Danaë in Cervantesâ€? Don Quixote I.33â€?35""; ""4 The Things They Carried: Sovereign Objects in Calderón de la Barcaâ€?s La gran Cenobia""
- ""5 Beyond Canvas and Paint: Falling Portraits in the Spanish Comedia""""Part Two: The Matter of Words""; ""6 Book Marks: Jerónimo de Aguilar and the Book of Hours""; ""7 Embodying the Visual, Visualizing Sound in Sor Juana InÃs de la Cruzâ€?s Primero sueño""; ""8 Picaresque Partitions: Spanish Antiheroes and the Material World""; ""9 Francisco de Quevedo and the Poetic Matter of Patronage""; ""Part Three: Objects against Culture""; ""10 Transformation and Transgression at the Banquet Scene in La Celestina""; ""11 The Prayer of the Immured Woman and the Matter of Lazarillo de Tormes""
- ""12 War and the Material Conditions for Suffering in Cervantesâ€? Numancia""""13 The Goddess, Dionysus, and the Material World in Don Quijote""; ""14 Dismantling Sosiego: Undressing, Dressing, and Cross-Dressing in Mateo AlemÃnâ€?s GuzmÃn de Alfarache""; ""Contributors""