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Marco Bellocchio : The Cinematic I in the Political Sphere /

Includes work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.

Detalles Bibliográficos
Autor principal: Brook, Clodagh J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Buffalo : University of Toronto Press, [2009]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brook, Clodagh J.,  |e author. 
245 1 0 |a Marco Bellocchio :   |b The Cinematic I in the Political Sphere /   |c Clodagh J. Brook. 
264 1 |a Buffalo :  |b University of Toronto Press,  |c [2009] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©[2009] 
300 |a 1 online resource (272 pages). 
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337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Toronto Italian studies 
505 0 |a Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere. 
520 |a Includes work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis. 
588 |a Description based on print version record. 
600 1 7 |a Bellocchio, Marco,  |d 1939-  |2 fast  |0 (OCoLC)fst00066720 
600 1 6 |a Bellocchio, Marco,  |d 1939-  |x Critique et interpretation. 
600 1 0 |a Bellocchio, Marco,  |d 1939-  |x Criticism and interpretation. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/105896/ 
945 |a Project MUSE - Custom Collection