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The Emblematics of the Self : Ekphrasis and Identity in Renaissance Imitations of Ancient Greek Romance /

The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance.

Detalles Bibliográficos
Autor principal: Bearden, Elizabeth B., 1975-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto [Ont.] : University of Toronto Press, 2012
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781442696143 
020 |z 9781442643468 
020 |z 9781442696150 
035 |a (OCoLC)1354203559 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Bearden, Elizabeth B.,  |d 1975- 
245 1 4 |a The Emblematics of the Self :   |b Ekphrasis and Identity in Renaissance Imitations of Ancient Greek Romance /   |c Elizabeth B. Bearden. 
264 1 |a Toronto [Ont.] :  |b University of Toronto Press,  |c 2012 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2012 
300 |a 1 online resource (272 pages):   |b illustrations, digital file 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions. 
520 |a The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance. 
588 |a Description based on print version record. 
650 7 |a Identity (Philosophical concept) in literature.  |2 fast  |0 (OCoLC)fst00966891 
650 7 |a European literature  |x Renaissance.  |2 fast  |0 (OCoLC)fst01710967 
650 7 |a Ekphrasis.  |2 fast  |0 (OCoLC)fst00904124 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a HISTORY  |x Renaissance.  |2 bisacsh 
650 7 |a ekphrasis.  |2 aat 
650 6 |a Ekphrasis. 
650 6 |a Identite dans la litterature. 
650 6 |a Litterature europeenne  |y 1450-1600 (Renaissance)  |x Influence grecque. 
650 6 |a Litterature europeenne  |y 1450-1600 (Renaissance)  |x Histoire et critique. 
650 0 |a Ekphrasis. 
650 0 |a Identity (Philosophical concept) in literature. 
650 0 |a European literature  |y Renaissance, 1450-1600  |x Greek influences. 
650 0 |a European literature  |y Renaissance, 1450-1600  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/105771/ 
945 |a Project MUSE - Custom Collection