Kissing the Wild Woman : Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's <em>Urania</em> /
Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporar...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés Italiano |
Publicado: |
Toronto [Ont.] :
University of Toronto Press,
2011
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
MARC
LEADER | 00000cam a22000004a 4500 | ||
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001 | musev2_105765 | ||
003 | MdBmJHUP | ||
005 | 20230905054026.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 110421t20112011onc o 00 0 eng d | ||
010 | |z 2011501896 | ||
020 | |a 9781442696020 | ||
020 | |z 9781487526221 | ||
020 | |z 9781442643406 | ||
035 | |a (OCoLC)1298518541 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
041 | 1 | |a eng |h ita | |
100 | 1 | |a Nissen, Christopher. | |
245 | 1 | 0 | |a Kissing the Wild Woman : |b Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's <em>Urania</em> / |c Christopher Nissen. |
264 | 1 | |a Toronto [Ont.] : |b University of Toronto Press, |c 2011 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
264 | 4 | |c ©2011 | |
300 | |a 1 online resource (336 pages): |b illustrations, digital file. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Toronto Italian studies | |
505 | 0 | |a 1 The Reformation of the Prose Romance ; Bigolina's Cultural Formation ; Elements of the Prose Romance ; The Plot and Characters of Urania ; The Prose Romance According to Boccaccio ; Urania in Its Literary Context ; Bigolina's Defense of Women -- 2 Writing a Portrait ; Bigolina and Aretino ; Portraiture in Urania ; The Caricature of Titian ; Of Mirrors, Istoria and Women in the Arts -- 3 Ekphrasis and the Paragone ; Ekphrasis in Western Literature ; Bigolina and the Paragone ; The Judgment of Paris ; Descriptio Mulieris ; Bigolina's Two Venuses ; The Book as Object -- 4 The Sight of the Beautiful ; Beauty and the Senses in Urania ; Sight in the Doctrines of Love ; The Body, the Gaze, and the Arts ; The Woman's Portrait as Gift -- 5 Kissing the Wild Woman ; Wildness in Urania ; Urania's (Nearly) Mad Flight ; Femina Salvatica ; The Game of the Senses. | |
520 | 8 | |a Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature."--Pub. desc. | |
520 | |a "Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. | ||
546 | |a Includes Giulia Bigolina's last will and testament in Italian, followed by its English translation. | ||
588 | |a Description based on print version record. | ||
600 | 1 | 0 | |a Bigolina, Giulia, |d -1569. |t Urania, nella quale si contiene l'amore d'una giovane di tal nome. |
650 | 7 | |a Painting in literature. |2 fast |0 (OCoLC)fst01050636 | |
650 | 7 | |a Civilization. |2 fast |0 (OCoLC)fst00862898 | |
650 | 7 | |a Beauty, Personal, in literature. |2 fast |0 (OCoLC)fst00829411 | |
650 | 7 | |a Aesthetics in literature. |2 fast |0 (OCoLC)fst00798734 | |
650 | 7 | |a LITERARY CRITICISM |x Medieval. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x European |x Italian. |2 bisacsh | |
650 | 6 | |a Beaute corporelle dans la litterature. | |
650 | 6 | |a Esthetique dans la litterature. | |
650 | 6 | |a Peinture dans la litterature. | |
650 | 0 | |a Beauty, Personal, in literature. | |
650 | 0 | |a Aesthetics in literature. | |
650 | 0 | |a Painting in literature. | |
651 | 7 | |a Italy. |2 fast |0 (OCoLC)fst01204565 | |
651 | 6 | |a Italie |x Civilisation |y 1559-1789. | |
651 | 0 | |a Italy |x Civilization |y 1559-1789. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/105765/ |
945 | |a Project MUSE - Custom Collection |