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Utopia, Carnival, and Commonwealth in Renaissance England /

With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditio...

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Detalles Bibliográficos
Autor principal: Kendrick, Christopher, 1953-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Buffalo : University of Toronto Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Utopian Differences
  • Defining Middles: Morris, Fourier, Marx
  • Defining Beginnings: Utopia
  • Carnival and Utopia
  • Utopia as the Negation of Carnival
  • Carnival Strikes Back: Rabelais's Abbey of Theleme
  • Utopia and the Commonwealth
  • Conjuring Revolution in the Dialogue of Counsel
  • The Body Politic and Utopia in A Dialogue of Pole and Lupset
  • A Discourse of the Commonweal, the East Anglian Rebellion, and the End of the Smallholding Utopia
  • Sprung Desire and Groups in Flux: On the Politics of the Utopian Impulse in Marlowe and Shakespeare
  • Travesty, Allegory, and the Political Effectivity of Renaissance Drama
  • Marlowe and the Utopia of Sprung Desire
  • Groups in Flux in Shakespeare's Henry IV, Part I
  • Flights from the Tudor Settlement; or, Carnival and Commonwealth Revised
  • Nashe's Lenten Utopia
  • The Imperial Lab: Discovering Forms in The New Atlantis.