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Marlowe's Counterfeit Profession : Ovid, Spenser, Counter-Nationhood /
Cheney argues that Marlowe organizes his canon around an ""Ovidian"" career model, or cursus, which turns from amatory poetry to tragedy to epic. The first comprehensive reading of the Marlowe canon in over a generation.
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Buffalo :
University of Toronto Press,
1997.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_104959 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053940.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100929s1997 onc o 00 0 eng d | ||
| 020 | |a 9781442677067 | ||
| 020 | |z 9780802009715 | ||
| 020 | |z 9781442612969 | ||
| 035 | |a (OCoLC)1379420442 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Cheney, Patrick, |d 1949- | |
| 245 | 1 | 0 | |a Marlowe's Counterfeit Profession : |b Ovid, Spenser, Counter-Nationhood / |c Patrick Cheney. |
| 264 | 1 | |a Buffalo : |b University of Toronto Press, |c 1997. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©1997. | |
| 300 | |a 1 online resource (368 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""TEXTS AND ABBREVIATIONS""; ""Introduction: Marlowe's Ovidian Career, Spenser, and the Writing of Counter-Nationhood""; ""Part I: Sea-Bank Myrtle Sprays: Amatory Poetry""; ""1 Ovid's Counter-Virgilian Cursus in the Amores""; ""2 Marlowe's New Renaissance Ovid: 'Area maior' in Ovid's Elegies""; ""3 Career Rivalry, Counter-Nationhood, and Philomela in 'The Passionate Shepherd to His Love'""; ""Part II: Sceptres and High Buskins: Tragedy""; ""4 Dido, Queen of Carthage and the Coining of '""Eliza""'"" | |
| 505 | 0 | |a ""5 'Thondring words of threate': Spenser in Tamburlaine, Parts 1and 2""""6 Machiavelli and the Play of Policy in The Jew of Malta""; ""7 'Italian masques by night': Machiavellian Policy and Ovidian Play in Edward II""; ""8 'Actors in this massacre': The Massacre at Paris and the Orphic Guise of Metatheatre""; ""9 Un-script(ur)ing Christian Tragedy: Ovidian Love, Magic, and Glory in Doctor Faustus""; ""Part III: Trumpets and Drums: Epic""; ""10 Counter-Epic of Empire: Lucan's First Book""; ""11 Marlowe, Chapman, and the Rewriting of Spenser's England in Hero and Leander"" | |
| 505 | 0 | |a ""Afterword: Counterfeiting the Profession""""NOTES""; ""WORKS CITED""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" | |
| 520 | |a Cheney argues that Marlowe organizes his canon around an ""Ovidian"" career model, or cursus, which turns from amatory poetry to tragedy to epic. The first comprehensive reading of the Marlowe canon in over a generation. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Spenser, Edmund. |2 swd |
| 600 | 1 | 7 | |a Ovidius Naso, Publius. |2 swd |
| 600 | 1 | 7 | |a Marlowe, Christopher. |2 swd |
| 600 | 1 | 7 | |a Spenser, Edmund |d 1552-1599 |2 gnd |
| 600 | 1 | 7 | |a Ovidius Naso, Publius |d v43-17 |2 gnd |
| 600 | 1 | 7 | |a Marlowe, Christopher |d 1564-1593 |2 gnd |
| 600 | 0 | 7 | |a Virgil. |2 fast |0 (OCoLC)fst00030908 |
| 600 | 1 | 7 | |a Spenser, Edmund, |d 1552?-1599. |2 fast |0 (OCoLC)fst00027779 |
| 600 | 0 | 7 | |a Ovid, |d 43 B.C.-17 A.D. or 18 A.D. |2 fast |0 (OCoLC)fst01839763 |
| 600 | 1 | 7 | |a Marlowe, Christopher, |d 1564-1593. |2 fast |0 (OCoLC)fst00028407 |
| 600 | 1 | 6 | |a Marlowe, Christopher, |d 1564-1593 |x Critique et interpretation. |
| 600 | 0 | 0 | |a Virgil |x Influence. |
| 600 | 0 | 0 | |a Ovid, |d 43 B.C.-17 A.D. or 18 A.D. |x Influence. |
| 600 | 1 | 0 | |a Spenser, Edmund, |d 1552?-1599 |x Knowledge |x Literature. |
| 600 | 1 | 0 | |a Marlowe, Christopher, |d 1564-1593 |x Knowledge |x Literature. |
| 650 | 1 | 7 | |a Nationalisme. |2 gtt |
| 650 | 1 | 7 | |a Auteurschap. |2 gtt |
| 650 | 7 | |a Nationalism in literature. |2 fast |0 (OCoLC)fst01033899 | |
| 650 | 7 | |a National characteristics, British, in literature. |2 fast |0 (OCoLC)fst01033382 | |
| 650 | 7 | |a Liberty in literature. |2 fast |0 (OCoLC)fst00997282 | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a English literature |x Roman influences. |2 fast |0 (OCoLC)fst00912162 | |
| 650 | 7 | |a Authorship. |2 fast |0 (OCoLC)fst00822442 | |
| 650 | 7 | |a Authority in literature. |2 fast |0 (OCoLC)fst00821686 | |
| 650 | 7 | |a Literature. |2 fast |0 (OCoLC)fst00999953 | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 6 | |a Liberte dans la litterature. | |
| 650 | 6 | |a Autorite dans la litterature. | |
| 650 | 6 | |a Nationalisme dans la litterature. | |
| 650 | 6 | |a Art d'ecrire |x Histoire |y 16e siecle. | |
| 650 | 6 | |a Britanniques dans la litterature. | |
| 650 | 0 | |a Liberty in literature. | |
| 650 | 0 | |a Authority in literature. | |
| 650 | 0 | |a Nationalism in literature. | |
| 650 | 0 | |a Authorship |x History |y 16th century. | |
| 650 | 0 | |a English literature |x Roman influences. | |
| 650 | 0 | |a National characteristics, British, in literature. | |
| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism |x Theory, etc. | |
| 655 | 7 | |a Livres numeriques. |2 rvmgf | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a e-books. |2 aat | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/104959/ |
| 945 | |a Project MUSE - Custom Collection | ||