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Guido Cavalcanti : The Other Middle Ages /

"Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me Prega, is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental int...

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Detalles Bibliográficos
Autor principal: Ardizzone, Maria Luisa
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto, Ont. : University of Toronto Press, 2002.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ardizzone, Maria Luisa. 
245 1 0 |a Guido Cavalcanti :   |b The Other Middle Ages /   |c Maria Luisa Ardizzone. 
264 1 |a Toronto, Ont. :  |b University of Toronto Press,  |c 2002. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2002. 
300 |a 1 online resource (272 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Toronto Italian studies 
505 0 0 |t Love as a Metaphor: The Discourse and the Method --  |t Vision and Logic --  |t Love as Passion --  |t Pleasure and Intellectual Happiness: Guido Cavalcanti and Giacomo da pistoia --  |t Cavalcanti at the Centre of the Western Canon: Ezra Pound as Reader of Donna me prega. 
520 1 |a "Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me Prega, is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental intellectual debates during the time of Dante, but also because of its influence on generations of poets and intellectuals. In this study, Maria Luisa Ardizzone sets Donna me Prega in an entirely new light - first, by examining its role in Cavalcanti's poetic practice, and second, by placing it in the context of ancient and medieval science and philosophy. The book deals with issues that are part of the intellectual history of Europe in the thirteenth century. Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it participates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book."--Jacket 
588 |a Description based on print version record. 
600 1 7 |a Cavalcanti, Guido,  |d -1300.  |2 fast  |0 (OCoLC)fst01811851 
600 1 6 |a Cavalcanti, Guido,  |d m. 1300.  |t Donna me prega. 
600 1 6 |a Cavalcanti, Guido,  |d m. 1300  |x Critique et interpretation. 
600 1 0 |a Cavalcanti, Guido,  |d -1300.  |t Donna me prega. 
600 1 0 |a Cavalcanti, Guido,  |d -1300  |x Criticism and interpretation. 
650 7 |a LITERARY CRITICISM  |x Medieval.  |2 bisacsh 
650 7 |a POETRY  |x Continental European.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/104822/ 
945 |a Project MUSE - Custom Collection