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German Nachspiel in 18 Century /

John defines the Nachspiel genre and undertakes an intensive investigation of its nature, function, and forms. By surveying theatrical writings of both eighteenth- and twentieth-century authors, he determines the prevailing understanding of the Nachspiel and many of the contradictions associated wit...

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Detalles Bibliográficos
Autor principal: John, David Gethin, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto [Ont.] : University of Toronto Press, 1991.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • ""Contents""; ""Acknowledgments""; ""Introduction""; ""1. Towards a Definition of the Nachspiel""; ""Modern Definitions""; ""Contemporary Understanding""; ""2. Repertoires and Performances of Itinerant Troupes and Standing Theatres in the Eighteenth Century""; ""CITIES""; ""Berlin""; ""Frankfurt am Main""; ""Gotha""; ""Hamburg""; ""Mannheim""; ""Munich""; ""Vienna""; ""Weimar""; ""ITINERANT TROUPES""; ""Caroline Neuber""; ""Joseph von Kurz""; ""Franz Schuch""; ""Heinrich Gottfried Koch""; ""Johann Friedrich Schönemann""; ""Konrad Ernst Ackermann""; ""THE COMIC FIGURE""
  • ""3. Three Unpublished Nachspiele""""Der falsche Verdacht""; ""Das lustige Elendt""; ""Die Bauren""; ""4. The Extant Nachspiel: Text and Performance""; ""Nachspiele Based on French or Other Foreign Models""; ""Nachspiele in 2â€?3 Acts""; ""Nachspiele Connected to a Previous Work""; ""Nachspiele with Music, Songs, Dance""; ""Nachspiele with Traditional Comic Elements""; ""5. The Nachspiel as Text before 1770""; ""Isaac und Rebecca""; ""Harlequin, der ungedultig-hernach aber mit Gewalt gedultig gemachte Hahnrey""; ""Der betrogene Alte""; ""Der bestrafte Hochmuth oder Johann Scherenschleifer""
  • ""Die Bauern vom Stande""""Die neueste Verheyrathung""; ""Conclusion""; ""6. The Nachspiel as Text after 1770""; ""Krispin der geplagte Lehenbediente""; ""Die Melonen""; ""Die Austeuer""; ""Die beiden Billets""; ""Was ist's?""; ""Der Magnetismus""; ""Der kindische Vater""; ""Das Nachspiel zur berÃ?hmten Komödie, ErklÃ?rte Fehde oder List gegen List""; ""Die Tugend auf der SchaubÃ?hne oder Harlekins Heirath""; ""Conclusion""; ""7. Acting: Talent and Rules""; ""8. The Socio-Critical Nachspiel: Text and Performance""; ""Enlightenment and Pedagogy""; ""Self-Discovery and Correction""
  • ""In Praise of Virtue""""Patriotism""; ""Religious Fanaticism""; ""Gambling""; ""Money and Class""; ""Class""; ""Money""; ""Sentimentality and Melodrama""; ""Reflections of the Literary Scene""; ""Directions for Actors""; ""Cultural Debate""; ""9. Between Text and Performance: Censorship""; ""Die MartinsgÃ?nse""; ""Conclusion""; ""Appendix 1. Overview of Primary Works""; ""Appendix 2. Documented Performances of Extant Nachspiele""; ""Annotated Bibliography of the German Nachspiel""; ""Secondary Works Cited""; ""Index of Nachspiel Titles""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""
  • ""H""""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z""; ""Index of Names""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z""