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German Nachspiel in 18 Century /
John defines the Nachspiel genre and undertakes an intensive investigation of its nature, function, and forms. By surveying theatrical writings of both eighteenth- and twentieth-century authors, he determines the prevailing understanding of the Nachspiel and many of the contradictions associated wit...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto [Ont.] :
University of Toronto Press,
1991.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_104795 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053931.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 900726s1991 onc o 00 0 eng d | ||
| 020 | |a 9781442675308 | ||
| 020 | |z 9780802027719 | ||
| 035 | |a (OCoLC)1378287967 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a John, David Gethin, |d 1947- | |
| 245 | 1 | 4 | |a German Nachspiel in 18 Century / |c David G. John. |
| 264 | 1 | |a Toronto [Ont.] : |b University of Toronto Press, |c 1991. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©1991. | |
| 300 | |a 1 online resource (411 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a ""Contents""; ""Acknowledgments""; ""Introduction""; ""1. Towards a Definition of the Nachspiel""; ""Modern Definitions""; ""Contemporary Understanding""; ""2. Repertoires and Performances of Itinerant Troupes and Standing Theatres in the Eighteenth Century""; ""CITIES""; ""Berlin""; ""Frankfurt am Main""; ""Gotha""; ""Hamburg""; ""Mannheim""; ""Munich""; ""Vienna""; ""Weimar""; ""ITINERANT TROUPES""; ""Caroline Neuber""; ""Joseph von Kurz""; ""Franz Schuch""; ""Heinrich Gottfried Koch""; ""Johann Friedrich Schönemann""; ""Konrad Ernst Ackermann""; ""THE COMIC FIGURE"" | |
| 505 | 0 | |a ""3. Three Unpublished Nachspiele""""Der falsche Verdacht""; ""Das lustige Elendt""; ""Die Bauren""; ""4. The Extant Nachspiel: Text and Performance""; ""Nachspiele Based on French or Other Foreign Models""; ""Nachspiele in 2�3 Acts""; ""Nachspiele Connected to a Previous Work""; ""Nachspiele with Music, Songs, Dance""; ""Nachspiele with Traditional Comic Elements""; ""5. The Nachspiel as Text before 1770""; ""Isaac und Rebecca""; ""Harlequin, der ungedultig-hernach aber mit Gewalt gedultig gemachte Hahnrey""; ""Der betrogene Alte""; ""Der bestrafte Hochmuth oder Johann Scherenschleifer"" | |
| 505 | 0 | |a ""Die Bauern vom Stande""""Die neueste Verheyrathung""; ""Conclusion""; ""6. The Nachspiel as Text after 1770""; ""Krispin der geplagte Lehenbediente""; ""Die Melonen""; ""Die Austeuer""; ""Die beiden Billets""; ""Was ist's?""; ""Der Magnetismus""; ""Der kindische Vater""; ""Das Nachspiel zur ber�hmten Komödie, Erkl�rte Fehde oder List gegen List""; ""Die Tugend auf der Schaub�hne oder Harlekins Heirath""; ""Conclusion""; ""7. Acting: Talent and Rules""; ""8. The Socio-Critical Nachspiel: Text and Performance""; ""Enlightenment and Pedagogy""; ""Self-Discovery and Correction"" | |
| 505 | 0 | |a ""In Praise of Virtue""""Patriotism""; ""Religious Fanaticism""; ""Gambling""; ""Money and Class""; ""Class""; ""Money""; ""Sentimentality and Melodrama""; ""Reflections of the Literary Scene""; ""Directions for Actors""; ""Cultural Debate""; ""9. Between Text and Performance: Censorship""; ""Die MartinsgÃ?nse""; ""Conclusion""; ""Appendix 1. Overview of Primary Works""; ""Appendix 2. Documented Performances of Extant Nachspiele""; ""Annotated Bibliography of the German Nachspiel""; ""Secondary Works Cited""; ""Index of Nachspiel Titles""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G"" | |
| 505 | 0 | |a ""H""""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z""; ""Index of Names""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z"" | |
| 520 | |a John defines the Nachspiel genre and undertakes an intensive investigation of its nature, function, and forms. By surveying theatrical writings of both eighteenth- and twentieth-century authors, he determines the prevailing understanding of the Nachspiel and many of the contradictions associated with it. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Naspelen. |2 gtt |
| 650 | 1 | 7 | |a Letterkunde. |2 gtt |
| 650 | 1 | 7 | |a Duits. |2 gtt |
| 650 | 7 | |a Nachspiel |g Literatur |2 gnd | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a Prologues and epilogues. |2 fast |0 (OCoLC)fst01078880 | |
| 650 | 7 | |a German drama (Comedy) |2 fast |0 (OCoLC)fst00941375 | |
| 650 | 7 | |a German drama. |2 fast |0 (OCoLC)fst00941360 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x German. |2 bisacsh | |
| 650 | 6 | |a Comedie allemande |x Histoire et critique. | |
| 650 | 6 | |a Theâtre allemand |y 18e siecle. | |
| 650 | 6 | |a Prologues et epilogues. | |
| 650 | 6 | |a Theâtre |z Allemagne |x Histoire |y 18e siecle. | |
| 650 | 0 | |a German drama (Comedy) |x History and criticism. | |
| 650 | 0 | |a German drama |y 18th century. | |
| 650 | 0 | |a Prologues and epilogues. | |
| 650 | 0 | |a Theater |z Germany |x History |y 18th century. | |
| 651 | 7 | |a Deutsch. |2 swd | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/104795/ |
| 945 | |a Project MUSE - Custom Collection | ||