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Federico Fellini : Contemporary Perspectives /
Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise...
| Otros Autores: | , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
[2002]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9781442674837 | ||
| 020 | |z 9780802076472 | ||
| 020 | |z 9780802006967 | ||
| 035 | |a (OCoLC)1148118291 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Federico Fellini : |b Contemporary Perspectives / |c edited by Frank Burke and Marguerite R. Waller. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2002] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©[2002] | |
| 300 | |a 1 online resource (288 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Toronto Italian studies | |
| 505 | 0 | |a Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothee Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy. | |
| 520 | |a Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Fellini, Federico. |2 swd |
| 600 | 1 | 7 | |a Fellini, Federico. |2 fast |0 (OCoLC)fst00035814 |
| 600 | 1 | 6 | |a Fellini, Federico |x Critique et interpretation. |
| 600 | 1 | 0 | |a Fellini, Federico |x Criticism and interpretation. |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Waller, Marguerite R., |d 1948- |e editor. | |
| 700 | 1 | |a Burke, Frank, |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/104754/ |
| 945 | |a Project MUSE - Custom Collection | ||