Contemporary Italian Filmmaking : Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation /
Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to t...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Toronto, Ont. :
University of Toronto Press,
1995.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction: Why Pirandello and the Cinema?""; ""1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years""; ""2 Pirandello and the Theory of the Cinema""; ""3 The Origins of the Myths: From Pirandello to Fellini""; ""4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context""; ""5 Ettore Scola: A Cinematic and Social Metadiscourse""; ""6 The New Italian Cinema: Restoration or Subversion?""; ""NOTES""; ""BIBLIOGRAPHY""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""
- ""J""""k""; ""l""; ""m""; ""n""; ""o""; ""p""; ""r""; ""s""; ""t""; ""v""; ""w""; ""z""