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100824s1992 onc o 00 0 eng d |
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|z 92171802
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|a 9781442671119
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|z 9780802059291
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|a (OCoLC)958571404
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|a MdBmJHUP
|c MdBmJHUP
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|a Toft, Robert.
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|a Aural Images of Lost Tradition /
|c Robert Toft.
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|a Buffalo :
|b University of Toronto Press,
|c 1992.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©1992.
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|a 1 online resource (207 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1 Theoretical Framework -- 2 Pitch-Content in Josquin's Motets -- 3 The German Custom -- 4 Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- B -- C -- D -- E -- F -- G -- H -- I -- K -- M -- N -- O -- P -- R -- S -- T -- V -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- Z -- GENERAL INDEX -- A -- B
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|a Cd -- f -- h -- i -- l -- m -- n -- o -- p -- r -- s -- t -- u -- v -- w
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|a The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.
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|a Description based on print version record.
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650 |
1 |
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|a Renaissance.
|2 gtt
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1 |
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|a Uitvoeringspraktijk.
|2 gtt
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1 |
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|a Toonhoogte.
|2 gtt
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|a Vocal music.
|2 fast
|0 (OCoLC)fst01168379
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650 |
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7 |
|a Performance practice (Music)
|2 fast
|0 (OCoLC)fst01057874
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650 |
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7 |
|a Musica ficta.
|2 fast
|0 (OCoLC)fst01030687
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650 |
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7 |
|a Music theory.
|2 fast
|0 (OCoLC)fst01030620
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650 |
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|a Musical pitch.
|2 fast
|0 (OCoLC)fst01030791
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650 |
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7 |
|a MUSIC
|x Printed Music
|x Vocal.
|2 bisacsh
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|a MUSIC
|x Lyrics.
|2 bisacsh
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650 |
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7 |
|a MUSIC
|x Instruction & Study
|x Voice.
|2 bisacsh
|
650 |
|
7 |
|a MUSIC
|x History & Criticism.
|2 bisacsh
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650 |
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6 |
|a Theorie musicale
|x Histoire
|y 16e siecle.
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650 |
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6 |
|a Pratique de l'execution (Musique)
|x Histoire
|y 16e siecle.
|
650 |
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6 |
|a Musica ficta.
|
650 |
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6 |
|a Musique
|y 16e siecle
|x Histoire et critique.
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650 |
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6 |
|a Musique vocale
|y 16e siecle
|x Histoire et critique.
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650 |
|
6 |
|a Diapason
|x Histoire
|y 16e siecle.
|
650 |
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0 |
|a Musical pitch
|x History
|y 16th century.
|
650 |
|
0 |
|a Vocal music
|y 16th century
|x History and criticism.
|
650 |
|
0 |
|a Music theory
|x History
|y 16th century.
|
650 |
|
0 |
|a Performance practice (Music)
|x History
|y 16th century.
|
650 |
|
0 |
|a Musica ficta.
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/104441/
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945 |
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|a Project MUSE - Custom Collection
|