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Architectonics of Imitation in Spenser, Daniel, and Drayton /
Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical and contemporary predecessors with implications for understanding the English Renaissance.
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
2000.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ACKNOWLEDGMENTS
- 1 The Landscape of Allegory
- Figuring Boundaries in The Faerie Queene
- 'The Vision Thing': Renaissance Allegory and Its Readers
- ENGLAND AND ROME IN THE FAERIE QUEENE
- 2 'All in amaze': Allegory in Book I of The Faerie Queene
- Spenser's Two Allegories
- 'The bright and blissfull Reformation'
- 3 Translatio Imperii in Book III of The Faerie Queene
- Leaving Troy
- Violation and Origin
- POETRY AND HISTORY AFTER THE FAERIE QUEENE
- 4 'Historian in verse': Daniel's Civil Wars
- 'Our Lucan'
- Analogy and Typology in The Civil Wars.
- The Poet and the Past
- 5 'A true native Muse': Drayton's Poly-Olbion
- 'As in a glasse, this Isle survay': The Chorographical Tradition
- Poet and Historian in Poly-Olbion
- 'This strange Herculean toyle'
- NOTES
- BIBLIOGRAPHY
- INDEX
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y.