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960530s1996 onc o 00 0 eng d |
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|a 9781442670600
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|z 9780802009821
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|a (OCoLC)1372413630
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|a MdBmJHUP
|c MdBmJHUP
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|a O'Neill, Patrick,
|d 1945-
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|a Acts of Narrative :
|b Textual Strategies in Modern German Fiction /
|c Patrick O'Neill.
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|a Toronto [Ont.] :
|b University of Toronto Press,
|c 1996.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2023
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|c ©1996.
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300 |
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|a 1 online resource (240 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Theory/culture
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|t Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig --
|t Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess --
|t Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf --
|t Auto da fe : reading misreading in Elias Canetti's Die Blendung --
|t Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel --
|t Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten --
|r Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter --
|t Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk.
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|a O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.
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|a Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard.
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|a Description based on print version record.
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650 |
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|a Narrativität
|2 gnd
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650 |
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|a Literatur
|2 gnd
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650 |
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|a Narration (Rhetoric)
|2 fast
|0 (OCoLC)fst01032927
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650 |
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|a German fiction.
|2 fast
|0 (OCoLC)fst00941384
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650 |
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|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
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650 |
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|a Narration.
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650 |
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|a Roman allemand
|y 20e siecle
|x Histoire et critique.
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650 |
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|a Narration (Rhetoric)
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650 |
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|a German fiction
|y 20th century
|x History and criticism.
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651 |
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7 |
|a Deutsch.
|2 swd
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/104392/
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945 |
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|a Project MUSE - Custom Collection
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