Cargando…
National Performance : Representing Quebec from Expo 67 to Celine Dion /
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Toronto [Ont.] :
University of Toronto Press,
2010
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_104286 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053904.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100511t20112010onc o 00 0 eng d | ||
| 020 | |a 9781442686342 | ||
| 020 | |z 9781442640955 | ||
| 020 | |z 9781487521332 | ||
| 020 | |z 9781442660175 | ||
| 035 | |a (OCoLC)755882630 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 041 | 0 | |a eng |a fre | |
| 100 | 1 | |a Hurley, Erin, |d 1969- |e author. | |
| 245 | 1 | 0 | |a National Performance : |b Representing Quebec from Expo 67 to Celine Dion / |c Erin Hurley. |
| 264 | 1 | |a Toronto [Ont.] : |b University of Toronto Press, |c 2010 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©2010 | |
| 300 | |a 1 online resource (264 pages): |b illustrations, portraits, digital file. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cultural spaces | |
| 505 | 0 | |a Introduction -- Marginals, metaphors, and mimesis -- National construction : Quebec's modernity at Expo 67 -- National reflection : Michel Tremblay's Les belles-soeurs and le nouvesu theâtre quebecois -- National simulation : Marco Micone's culture imigree -- National metonymy : arresting images in the devised works of Carbone 14 -- Naional affection : Celine Dion -- Conclusion : feminist (re)production. | |
| 520 | |a In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec. | ||
| 546 | |a Includes some text in French. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Theater audiences |x Psychology. |2 fast |0 (OCoLC)fst01149333 | |
| 650 | 7 | |a Theater and society. |2 fast |0 (OCoLC)fst01149315 | |
| 650 | 7 | |a Performing arts |x Social aspects. |2 fast |0 (OCoLC)fst01057933 | |
| 650 | 7 | |a Performing arts |x Audiences. |2 fast |0 (OCoLC)fst01057889 | |
| 650 | 7 | |a Nationalism. |2 fast |0 (OCoLC)fst01033832 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Nationalisme |z Quebec (Province) | |
| 650 | 6 | |a Arts du spectacle |x Publics |z Quebec (Province) | |
| 650 | 6 | |a Arts du spectacle |x Aspect social |z Quebec (Province) | |
| 650 | 6 | |a Theâtre et societe |z Quebec (Province) | |
| 650 | 0 | |a Nationalism |z Quebec (Province) | |
| 650 | 0 | |a Performing arts |x Audiences |z Quebec (Province) | |
| 650 | 0 | |a Performing arts |x Social aspects |z Quebec (Province) | |
| 650 | 0 | |a Theater and society |z Quebec (Province) | |
| 650 | 0 | |a Theater audiences |z Quebec (Province) |x Psychology. | |
| 651 | 7 | |a Quebec. |2 fast |0 (OCoLC)fst01207316 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/104286/ |
| 945 | |a Project MUSE - Custom Collection | ||