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Sex,The Self and the Sacred : Women in the Cinema of Pier Paolo Pasolini /

"Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he u...

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Detalles Bibliográficos
Autor principal: Ryan-Scheutz, Colleen
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Publicado: Toronto : University of Toronto Press, 2007.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781442684775 
020 |z 9780802092854 
035 |a (OCoLC)1381546215 
040 |a MdBmJHUP  |c MdBmJHUP 
041 0 |a eng  |a ita 
100 1 |a Ryan-Scheutz, Colleen. 
245 1 0 |a Sex,The Self and the Sacred :   |b Women in the Cinema of Pier Paolo Pasolini /   |c Colleen Ryan-Scheutz. 
264 1 |a Toronto :  |b University of Toronto Press,  |c 2007. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2007. 
300 |a 1 online resource (336 pages):   |b portraits 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Toronto Italian studies 
505 0 |a Contents -- Acknowledgments -- Introduction -- 1 Susanna Pasolini and the Female Universe -- 2 Mothers -- 3 Prostitutes -- 4 Daughters -- 5 Saints -- 6 Sinners -- 7 Salò and Petrolio -- Appendix: Filmography of Pier Paolo Pasolini -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z 
520 1 |a "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he used his films to denounce the social and ideological forces he felt were responsible for its decline. Rather than protest with overtly political films, however, Pasolini vested ideological impetus in his principal film characters, many of whom were women." "Drawing upon Italy's distinct sociocultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society. She demonstrates how Pasolini used his female protagonists to challenge dominant social values and to propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West."--Jacket 
546 |a Includes some text in Italian. 
588 |a Description based on print version record. 
600 1 7 |a Pasolini, Pier Paolo,  |d 1922-1975.  |2 fast  |0 (OCoLC)fst00034620 
600 1 6 |a Pasolini, Pier Paolo,  |d 1922-1975  |x Critique et interpretation. 
600 1 0 |a Pasolini, Pier Paolo,  |d 1922-1975  |x Criticism and interpretation. 
650 7 |a Women in motion pictures.  |2 fast  |0 (OCoLC)fst01177931 
650 7 |a Sex in motion pictures.  |2 fast  |0 (OCoLC)fst01114479 
650 7 |a Feminism and motion pictures.  |2 fast  |0 (OCoLC)fst00922742 
650 7 |a Bioethics.  |2 fast  |0 (OCoLC)fst00832038 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 6 |a Bioethique. 
650 6 |a Feminisme et cinema. 
650 6 |a Sexualite au cinema. 
650 6 |a Femmes au cinema. 
650 1 2 |a Bioethics 
650 0 |a Bioethics. 
650 0 |a Feminism and motion pictures. 
650 0 |a Sex in motion pictures. 
650 0 |a Women in motion pictures. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/104206/ 
945 |a Project MUSE - Custom Collection