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The Aesthetics and Politics of Cinematic Pedestrianism : Walking in Films /

The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Özgen, Aslı (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2022
Colección:Film culture in transition.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Özgen, Aslı,  |e author. 
245 1 4 |a The Aesthetics and Politics of Cinematic Pedestrianism :   |b Walking in Films /   |c Aslı Özgen. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2022 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022 
300 |a 1 online resource:   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Film culture in transition 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [237]-248), filmography (pages [249]-250), and index. 
505 0 |a Introduction : cinematic pedestrianism in the city -- Moving body, moving pictures : the emergence of cinematic pedestrianism -- The flâneur as filmmaker -- The flâneuse and the aesthetics of the female gaze -- A wandering eye : the kino-pedestrian -- Walking amidst ruins : a pedestrian cinema -- Feminist nomads : the politics of walking in Agnes Varda -- Cinematic pedestrianism afoot : a conclusion. 
506 |a Access restricted to authorized users and institutions. 
520 |a The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre's theory of space, Michel de Certeau's concept of pedestrian acts, and Jacques Ranciere's treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it. 
588 |a Description based on print version record. 
650 0 |a Cities and towns in motion pictures. 
650 0 |a Walking in motion pictures. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789463724753 
710 2 |a Project Muse.  |e distributor 
830 0 |a Film culture in transition. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/103831/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2022 Philosophy and Religion 
945 |a Project MUSE - 2022 Complete