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The Aesthetics and Politics of Cinematic Pedestrianism : Walking in Films /

The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philos...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Özgen, Aslı (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2022
Colección:Film culture in transition.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre's theory of space, Michel de Certeau's concept of pedestrian acts, and Jacques Ranciere's treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it.
Notas:Issued as part of book collections on Project MUSE.
Descripción Física:1 online resource: illustrations.
Bibliografía:Includes bibliographical references (pages [237]-248), filmography (pages [249]-250), and index.
ISBN:9789048553655
Acceso:Access restricted to authorized users and institutions.