Cargando…
The Downhome Sound : Diversity and Politics in Americana Music /
"American roots music, also known as Americana music, is comprised of many sub-genres and has long been associated with politics, diversity, and race, but political science has yet to explore its impact. Mandi Bates Bailey's "The Downhome Sound" fills that void by considering the...
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baton Rouge :
Louisiana State University Press,
2023.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_103631 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053825.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 220906s2023 lau o 00 0 eng d | ||
| 010 | |z 2022042847 | ||
| 020 | |a 9780807179703 | ||
| 035 | |a (OCoLC)1343947664 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Bailey, Mandi Bates, |e author. | |
| 245 | 1 | 4 | |a The Downhome Sound : |b Diversity and Politics in Americana Music / |c Mandi Bates Bailey ; foreword by Guy Davis. |
| 264 | 1 | |a Baton Rouge : |b Louisiana State University Press, |c 2023. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
| 264 | 4 | |c ©2023. | |
| 300 | |a 1 online resource (201 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction. The Downhome Sound -- The First Verse -- The Music -- The Artists -- The Community -- The Impact -- Conclusion. The Last Verse. | |
| 520 | |a "American roots music, also known as Americana music, is comprised of many sub-genres and has long been associated with politics, diversity, and race, but political science has yet to explore its impact. Mandi Bates Bailey's "The Downhome Sound" fills that void by considering the message, the artists, the community, and the impact of Americana music. To understand the genre's intended messages and reception, she analyzed lyrics and surveyed Americana artists, music journalists, and festival organizers. Ultimately, she suggests that her interviews with Americana artists reveal their powerful desire for inclusion and diversity and, in some cases, the need to address racial injustice directly. Her study shows that exposure to Americana music is related to positive assessments of African Americans and political policies seen as helpful to them, which cannot be said of exposure to popular country music and rap music. American roots music is challenging to define. Sub-genres include folk, bluegrass, country, blues, southern rock, rock and roll, jazz, and cowpunk. Americana has become a blanket term to cover music that fits comfortably into each of these genres or incorporates elements from a combination of them. The artists included in Bailey's analysis represent different sub-genres, a wide age range, differing educational backgrounds and geographic regions of the United States, and even international artists playing in the genre. They also represent different career stages, from neophyte to established, with several Grammy and Americana Music Association award nominees and winners included. Common themes established in her interviews with these artists are the importance of narrative, audience loyalty, and the listening environment. Using a theoretical foundation rooted in stereotyping, Bailey suggests that whites with strong negative stereotypes of African Americans will process racial messages conveyed via Americana music more positively than similar messages presented in rap music (i.e., the stereotype-confirming genre). She addresses the culture surrounding the Americana audience, revealing that the listening environment is vital to artists and fans. She shows that artists believe their audiences represent diverse occupational, regional, and socio-economic backgrounds but are more educated and socially aware than the average American. They are also primarily white and left-leaning politically. Addressing the broader implications of her study, Bailey asks whether a hypothetical increase in popularity of or exposure to Americana music would dilute the impact of the inclusivity and tolerance provided in the music"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Americana (Music) |2 fast |0 (OCoLC)fst01941579 | |
| 650 | 0 | |a Americana (Music) |x Political aspects |z United States. | |
| 650 | 0 | |a Americana (Music) |x History and criticism. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Davis, Guy, |d 1952- |e writer of foreword. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/103631/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2023 Complete | ||
| 945 | |a Project MUSE - 2023 Music | ||
| 945 | |a Project MUSE - 2023 American Studies | ||