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Special Effects on the Screen : Faking the View from Méliès to Motion Capture

Detalles Bibliográficos
Autor principal: Lefebvre, Martin
Otros Autores: Furstenau, Marc
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Paris : Amsterdam University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Table of Contents
  • Introduction
  • Martin Lefebvre and Marc Furstenau
  • Concepts
  • 1. Mind(ing) the Gap
  • Martin Lefebvre
  • 2. Images as Visual Effects
  • John Belton
  • 3. The Pragmatics of Trucage: Between Feigning and Fiction
  • François Jost
  • 4. Realism, Illusion, and Special Effects in the Cinema
  • Marc Furstenau
  • Techniques
  • 5. Trick-o-logics 1810/1910: The Magic of Tricks and Special Effects
  • Between the Stage and the Screen
  • Frank Kessler and Sabine Lenk
  • 6. Those Ordinary "Special Effects"
  • François Albera
  • 7. Black Magic: The "Space Between the Frames" in Cinematic Special Effects
  • Donald Crafton
  • 8. Photography and the Composite Image, or A Portrait of Melies as Bergsonian Filmmaker
  • Benoît Turquety
  • 9. From Trick to Special Effect: Standardization and the Rise of Imperceptible Cinematic Illusions
  • Katharina Loew
  • 10. Special Effects and Spaces of Communication: A Semio-Pragmatic Approach
  • Roger Odin
  • 11. Image Capture, or The Control of Special Effects
  • Philippe Marion
  • Films
  • 12. Murnau's Sunrise: In-Camera Effects and Effects Specialists
  • Janet Bergstrom
  • 13. King Kong, An Open Perspective
  • Suzanne Liandrat-Guigues
  • 14. Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D
  • Kristen Whissel
  • 15. Oblivion: Of Time and Special Effects
  • Sean Cubitt
  • Envoi
  • 16. The Effect of Miracles and the Miracle of Effects: Bazin's Faith in Evolution
  • Dudley Andrew
  • Bibliography
  • Index