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Special Effects on the Screen : Faking the View from Méliès to Motion Capture
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Paris :
Amsterdam University Press,
2022.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Table of Contents
- Introduction
- Martin Lefebvre and Marc Furstenau
- Concepts
- 1. Mind(ing) the Gap
- Martin Lefebvre
- 2. Images as Visual Effects
- John Belton
- 3. The Pragmatics of Trucage: Between Feigning and Fiction
- François Jost
- 4. Realism, Illusion, and Special Effects in the Cinema
- Marc Furstenau
- Techniques
- 5. Trick-o-logics 1810/1910: The Magic of Tricks and Special Effects
- Between the Stage and the Screen
- Frank Kessler and Sabine Lenk
- 6. Those Ordinary "Special Effects"
- François Albera
- 7. Black Magic: The "Space Between the Frames" in Cinematic Special Effects
- Donald Crafton
- 8. Photography and the Composite Image, or A Portrait of Melies as Bergsonian Filmmaker
- Benoît Turquety
- 9. From Trick to Special Effect: Standardization and the Rise of Imperceptible Cinematic Illusions
- Katharina Loew
- 10. Special Effects and Spaces of Communication: A Semio-Pragmatic Approach
- Roger Odin
- 11. Image Capture, or The Control of Special Effects
- Philippe Marion
- Films
- 12. Murnau's Sunrise: In-Camera Effects and Effects Specialists
- Janet Bergstrom
- 13. King Kong, An Open Perspective
- Suzanne Liandrat-Guigues
- 14. Uncanny Visual Effects, Postwar Modernity, and House of Wax 3D
- Kristen Whissel
- 15. Oblivion: Of Time and Special Effects
- Sean Cubitt
- Envoi
- 16. The Effect of Miracles and the Miracle of Effects: Bazin's Faith in Evolution
- Dudley Andrew
- Bibliography
- Index