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The violence of colonial photography /
This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressor...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2022.
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| Edición: | First English-language edition. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Foliard, Daniel, |e author. | |
| 245 | 1 | 4 | |a The violence of colonial photography / |c Daniel Foliard. |
| 250 | |a First English-language edition. | ||
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2022. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
| 264 | 4 | |c ©2022. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "Published by Éditions La Decouverte 2020." | ||
| 505 | 0 | |a Front Matter -- Contents -- List of figures -- Foreword -- Acknowledgements -- Note on translation -- Introduction -- Repulsion, erasure, and loss of contrast -- Photography as power: force and counterforce -- Depths of field: darkrooms and conflicts prior to the 1890s -- Conflicts in the lens: from the 1890s to the First World War -- The public and the private: regimes of visibility -- Subversion, denunciation, and manipulation -- The enemy's body -- Paper cemeteries -- Invisible wars? Reflections of extra-European conflicts in France and Britain | |
| 505 | 0 | |a Conclusion: ceci n'est pas une illustration -- Notes -- Selected bibliography -- Index | |
| 520 | |a This book offers a new account of the development of conflict photography. It explores how the new technology of the camera was used in the British and French empires as a means of controlling subject populations, and how these populations found ways of turning the technology against their oppressors. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a HISTORY / Modern / 19th Century |2 bisacsh | |
| 650 | 0 | |a War photography |z Great Britain |x History. | |
| 650 | 0 | |a War photography |z France |x History. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/103305/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2022 Art and Architecture | ||
| 945 | |a Project MUSE - 2022 African Studies | ||
| 945 | |a Project MUSE - 2022 Complete | ||