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Surface Relations : Queer Forms of Asian American Inscrutability /

"In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art...

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Detalles Bibliográficos
Autor principal: Huang, Vivian L., 1986- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Huang, Vivian L.,  |d 1986-  |e author. 
245 1 0 |a Surface Relations :   |b Queer Forms of Asian American Inscrutability /   |c Vivian L. Huang. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022. 
300 |a 1 online resource:   |b illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Inscrutable Surfacing -- Invisibility and the Vanishing Point of Asian/American Visuality -- Silence and Parasitic Hospitality in the Works of Yoko Ono, Laurel Nakadate, and Emma Sulkowicz -- Im/penetrability, Trans Figuration, and Unreliable Surfacing -- Flatness, Industriousness, and Laborious Flexibility -- Distance, Negativity, and Slutty Sociality in Tseng Kwong Chi's Performance Photographs -- Something Is Missing. 
520 |a "In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian inscrutability-such as invisibility, silence, unreliability, flatness, and withholding-to express Asian American life. Through analyses of diverse works by performance artists (Tehching Hsieh, Baseera Khan, Emma Sulkowicz, Tseng Kwong Chi), writers (Kim Fu, Kai Cheng Thom, Monique Truong), and video, multimedia, and conceptual artists (Laurel Nakadate, Yoko Ono, Mika Tajima), Huang challenges neoliberal narratives of assimilation that erase Asianness. By using sound, touch, and affect, these artists and writers create new frameworks for affirming Asianness as a source of political and social critique and innovative forms of life and creativity"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Group identity in art.  |2 fast  |0 (OCoLC)fst00948451 
650 7 |a Asian American artists.  |2 fast  |0 (OCoLC)fst00818565 
650 7 |a Asian American art.  |2 fast  |0 (OCoLC)fst00818564 
650 7 |a SOCIAL SCIENCE / LGBTQ Studies / General.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / American / Asian American & Pacific Islander Studies.  |2 bisacsh 
650 0 |a Group identity in art. 
650 0 |a American literature  |x Asian American authors  |x Themes, motives. 
650 0 |a Asian American artists. 
650 0 |a Asian American art  |x Themes, motives. 
650 0 |a Asian American art  |y 21st century. 
650 0 |a Asian American art  |y 20th century. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/103229/ 
945 |a Project MUSE - Custom Collection