Cinema Against Spectacle : Technique and Ideology Revisited

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Jean-Louis Comolli's six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinema in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered specta...

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Detalles Bibliográficos
Autor principal: Comolli, Jean-Louis (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: [Place of publication not identified] : Amsterdam University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Motion pictures > Philosophy.
Performing Arts / Film / History & Criticism.
The arts.
Films, cinema.
Film, TV and radio.
Film theory and criticism.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cinema against Spectacle
  • Introduction
  • Cinema against Spectacle
  • I. Opening the Window?
  • II. Inventing the Cinema?
  • III. Filming the Disaster?
  • IV. Cutting the Figure?
  • V. Changing the Spectator?
  • Technique and Ideology: Camera, Perspective, Depth of Field
  • Introduction
  • I. On a Dual Origin
  • The ideological place of the "base apparatus"
  • Birth = deferral: The invention of the cinema
  • II. Depth of Field: The Double Scene
  • Bazin's "surplus realism"
  • The work of "transparency"
  • For a materialist history of the cinema
  • "For the first time ..."
  • III."Primitive" Depth of Field
  • IV. Effacement of Depth/Advent of Speech
  • V. Which Speech?

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