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Stigmatics and Visual Culture in Late Medieval and Early Modern Italy /

This book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata st...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Warr, Cordelia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2022
Colección:Visual and material culture, 1300-1700.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Warr, Cordelia,  |e author. 
245 1 0 |a Stigmatics and Visual Culture in Late Medieval and Early Modern Italy /   |c Cordelia Warr. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2022 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022 
300 |a 1 online resource:   |b color illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Visual and material culture, 1300-1700 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [279]-308) and index. 
505 0 |a Introduction : stigmata and visual culture -- Saint Francis of Assisi as image -- Representing the invisible : Saint Catherine of Siena's stigmatization -- The stigmatic spectrum and the visual arts -- Gregorio Lombardelli, invisibility, and the representation of Saint Catherine of Siena's stigmata -- Performing stigmata -- Painting, printing, sculpting, forgery (and washing) -- Conclusion : the timidity of the visual arts. 
506 |a Access restricted to authorized users and institutions. 
520 |a This book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata stimulated controversy. Related to this were issues that were deeply rooted in contemporary visual culture such as how stigmata were described and performed and whether, or how, it was legitimate to represent stigmata in visual art. Because of the contested nature of stigmata and because stigmata did not always manifest in the same form - sometimes invisible, sometimes visible only periodically, sometimes miraculous, and sometimes self-inflicted - they provoked complex questions and reflections relating to the nature and purpose of visual representation. 
588 |a Description based on print version record. 
650 0 |a Gender identity in art. 
650 0 |a Women in art. 
650 0 |a Religion in art. 
650 0 |a Stigmatization in art. 
650 0 |a Art and society  |z Italy  |x History. 
650 0 |a Painting, Italian. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789463724562 
710 2 |a Project Muse.  |e distributor 
830 0 |a Visual and material culture, 1300-1700. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/102982/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2022 Art and Architecture 
945 |a Project MUSE - 2022 Complete