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|a Mulalu, Tawanda.
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|a Please make me pretty, I don't want to die :
|b Poems
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|a Princeton :
|b Princeton University Press,
|c 2022.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2022
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|c ©2022.
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|a 1 online resource.
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|a text
|b txt
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|a online resource
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|a Princeton Series of Contemporary Poets Ser. ;
|v v.171
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|a Description based upon print version of record.
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|a Cover -- Contents -- Summer -- Argo, My Argo -- Still Life -- Aria -- Miscegenation Elegy -- Connecticut -- Prayer -- Elegy -- Film Studies -- Pokemon Blue -- The World -- Symphony -- Song -- Fall -- My Sister Likes Girls and Does Not Return for My Mother's Fiftieth -- Shower pressure. My boxes arrive today -- Massachusetts -- Half past seven and -- Hamlet Tries Prozac -- Happy Haiku -- Renga -- Film Studies II -- November Elegy -- Prayer -- My Brother Does Not Return for My Mother's Fiftieth -- Near It -- Winter -- all we got was autumn. all we got was winter.
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|a Saturday morning my hair meets this drain -- Nearness -- Forgiveness Rock Record -- Elegy -- Second Sonnet -- Third Sonnet -- Film Studies III -- Newness -- Prayer -- Frenzy -- Not a Snow Day -- Spring -- Good Long Poem -- Afterparty -- Ear -- Vertebrae -- Prayer -- Elegy -- Poem about My Life Mattering -- Aria -- After History -- American Elegy -- Poetry in America -- Clarity -- Acknowledgments -- Notes
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|a The debut collection of an exciting new voice in poetryPlease make me pretty, I don't want to die explores tactility, sound, sensuality, and intimacy. Set across the four seasons of a year, these fresh and original poems by Tawanda Mulalu combine an inviting confessional voice and offbeat imagery, and offer an appealing mixture of seriousness and humor.The speaker of these poems probes romantic and interracial intimacy, the strangeness and difficulty of his experiences as a diasporic Black African in White America, his time working as a teacher's assistant in a third-grade classroom, and his ambivalent admiration for canonical poets who have influenced him, especially Sylvia Plath. Juxtaposing traditional forms such as sonnets and elegies with less orthodox interjections, such as prose-poem "prayers" and other meditations, the collection presents a poetic world both familiar and jarring--one in which history, the body, and poetry can collide in a single surprising turn of image: "The stars also suffer. Immense and dead, their gasses burn / distant like castanets of antebellum teeth. My open window / a synecdoche of country."
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|a Description based on print version record.
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650 |
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|a Intimacy (Psychology)
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|0 (OCoLC)fst00977714
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|a Immigrants.
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|a Botswanans.
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|a African Americans.
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|0 (OCoLC)fst00799558
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650 |
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|a POETRY / American / African American.
|2 bisacsh
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|a Intimacy (Psychology)
|v Poetry.
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|a Immigrants
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|a Botswanans
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650 |
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|a African Americans
|v Poetry.
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651 |
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7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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|a Poetry.
|2 fast
|0 (OCoLC)fst01423828
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/102689/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2022 Poetry, Fiction and Creative Non-Fiction
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|a Project MUSE - 2022 Complete
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