A Time of One's Own : Histories of Feminism in Contemporary Art /

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"Covering artworks from 2002 to 2017, A Time of One's Own maps a revival of feminism in contemporary art that takes up the creative and political implications of disrupted temporalities to activate "a time of one's own." Catherine Grant shifts Virginia Woolf's spatial m...

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Detalles Bibliográficos
Autor principal: Grant, Catherine (Catherine Mary) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Queer theory.
Homosexuality and art.
Feminist theory.
Feminism in art.
Feminism and art.
Art > Political aspects.
ART / Women Artists.
ART / History / General.
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Grant, Catherine  |q (Catherine Mary),  |e author. 
245 1 2 |a A Time of One's Own :   |b Histories of Feminism in Contemporary Art /   |c Catherine Grant. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022. 
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505 0 |a Introduction: Anachronizing feminism -- Fans of feminism -- Killjoy's Kastle in London -- A time of one's own -- A feminist chorus -- Conversations and constellations -- Conclusion: Rooms of our own. 
520 |a "Covering artworks from 2002 to 2017, A Time of One's Own maps a revival of feminism in contemporary art that takes up the creative and political implications of disrupted temporalities to activate "a time of one's own." Catherine Grant shifts Virginia Woolf's spatial metaphor of a "room of one's own" into a temporal register in order to bring together different historical moments of feminist thinking. In doing so, Grant positions reenactments of past feminist projects not just as an art practice, but as a model for a queered feminist art history in which discussions of queer temporalities, feminist histories, and definitions of "the contemporary" and "contemporary art" are refined and politicized. Joining political theorizing and creative imagining from Bertolt Brecht, Walter Benjamin, and Virginia Woolf with theories of queer temporalities, feminist time and 'the contemporary' in art, this book narrates an intentionally incomplete feminist art history that joins real and imagined feminist communities across time and place"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Homosexuality and art.  |2 fast  |0 (OCoLC)fst00959813 
650 7 |a Feminist theory.  |2 fast  |0 (OCoLC)fst00922816 
650 7 |a Feminism in art.  |2 fast  |0 (OCoLC)fst00922751 
650 7 |a Feminism and art.  |2 fast  |0 (OCoLC)fst00922727 
650 7 |a Art  |x Political aspects.  |2 fast  |0 (OCoLC)fst00815309 
650 7 |a ART / Women Artists.  |2 bisacsh 
650 7 |a ART / History / General.  |2 bisacsh 
650 0 |a Queer theory. 
650 0 |a Feminist theory. 
650 0 |a Art  |x Political aspects. 
650 0 |a Homosexuality and art. 
650 0 |a Feminism in art. 
650 0 |a Feminism and art. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/102646/ 
945 |a Project MUSE - Custom Collection 

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