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Breaks in the Air : The Birth of Rap Radio in New York City /

"Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and le...

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Detalles Bibliográficos
Autor principal: Klaess, John, 1990- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2022.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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010 |z  2021059695 
020 |a 9781478023500 
020 |z 9781478018872 
020 |z 9781478016236 
035 |a (OCoLC)1337390383 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Klaess, John,  |d 1990-  |e author. 
245 1 0 |a Breaks in the Air :   |b The Birth of Rap Radio in New York City /   |c John Klaess. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show. 
520 |a "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Rap (Music)  |2 fast  |0 (OCoLC)fst01089951 
650 7 |a Radio stations.  |2 fast  |0 (OCoLC)fst01087567 
650 7 |a Radio in popular culture.  |2 fast  |0 (OCoLC)fst02033910 
650 7 |a Radio broadcasting  |x Deregulation.  |2 fast  |0 (OCoLC)fst01087233 
650 7 |a African American radio stations.  |2 fast  |0 (OCoLC)fst00799335 
650 7 |a SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies.  |2 bisacsh 
650 7 |a MUSIC / Genres & Styles / Rap & Hip Hop.  |2 bisacsh 
650 0 |a Radio in popular culture  |z New York (State)  |z New York. 
650 0 |a Radio broadcasting  |x Deregulation  |z New York (State)  |z New York. 
650 0 |a Radio stations  |z New York (State)  |z New York  |x History. 
650 0 |a African American radio stations  |z New York (State)  |z New York. 
650 0 |a Rap (Music)  |z New York (State)  |z New York  |x History and criticism. 
651 7 |a New York (State)  |z New York.  |2 fast  |0 (OCoLC)fst01204333 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/102386/ 
945 |a Project MUSE - Custom Collection