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Grammatology of Images : A History of the A-Visible /

"Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition...

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Detalles Bibliográficos
Autor principal: Weigel, Sigrid (Autor)
Otros Autores: Smith, Chadwick Truscott (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: New York : Fordham University Press, 2022.
Edición:First edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Weigel, Sigrid,  |e author. 
240 1 0 |a Grammatologie der Bilder.  |l English 
245 1 0 |a Grammatology of Images :   |b A History of the A-Visible /   |c Sigrid Weigel ; translated by Chadwick Truscott Smith. 
250 |a First edition. 
264 1 |a New York :  |b Fordham University Press,  |c 2022. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2022. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Commonalities 
505 0 |a The Trace and the Current Revaluation of Lines -- Faces: Between Trace and Image, Encoding and Measurement -- Indexical Images: Trace, Resemblance, and Code -- Effigiēs: Double, Representation, and the Supplementary Economy of the Likeness (Ebenbild) -- Defamatory Images: Disfiguration in Physiognomy and Caricature's Two Bodies -- Cult Images: Iconoclastic Controversy, the Desire for Images, and the Dialectic of Secularization -- Angels: Images of Making-Appearance between Religion, Art, and Science -- Perspectives of the Grammatology of Images beyond Visual Culture. 
520 |a "Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition, of making an appearance, and the process of concealment that accompanies any imaging. Weigel reinterprets Derrida's and Freud's concept of the trace as that which must be thought before something exists. In doing so, she illuminates the threshold between traces and iconic images, between something immaterial and its pictorial representation. Chapters alternate between general accounts of the line, the index, the effigy, and the cult-image, and case studies from the history of science, art, politics, and religion, involving faces as indicators of emotion, caricatures as effigies of defamation, and angels as embodiments of transcendental ideas. Weigel's approach to images illuminates fascinating, unexpected correspondences between premodern and contemporary image-practices, between the history of religion and the modern sciences, and between things that are and are not understood as art"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Image (Philosophy)  |2 fast  |0 (OCoLC)fst00967475 
650 6 |a Image (Philosophie) 
650 0 |a Image (Philosophy) 
655 7 |a Electronic books.   |2 local 
700 1 |i Translation of:  |a Weigel, Sigrid.  |t Grammatologie der Bilder. 
700 1 |a Smith, Chadwick Truscott,  |e translator. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/102050/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2022 Art and Architecture 
945 |a Project MUSE - 2022 Complete