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The Last Supper of Chicano Heroes : Selected Works of José Antonio Burciaga /

"Widely considered one of the most important voices in the Chicano literary canon, Burciaga was a pioneer who exposed inequities and cultural difficulties through humor, art, and deceptively simple prose. In this anthology and tribute, Mimi Gladstein and Daniel Chacon bring together dozens of r...

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Detalles Bibliográficos
Autor principal: Burciaga, Jose Antonio (Autor, Ilustrador)
Otros Autores: Chacón, Daniel (Editor ), Gladstein, Mimi Reisel (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tucson : University of Arizona Press, 2008.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Last Supper of Chicano Heroes :   |b Selected Works of José Antonio Burciaga /   |c edited by Mimi R. Gladstein and Daniel Chacón. 
264 1 |a Tucson :  |b University of Arizona Press,  |c 2008. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2008. 
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490 0 |a Camino del sol 
505 0 0 |t Adelante!  |g 17 --  |g Part 1  |t Cosas Linguisticas --  |t Essays --  |t Bilingualism Isn't Just for Hispanics, You Know (1980, San Jose Mercury)  |g 27 --  |t An Anglicized Nightmare in Official English (1981, San Jose Mercury)  |g 30 --  |t Chicano Terms of Endearment (1988, Weedee Peepo)  |g 32 --  |t Por Quien Dobla la Campana-For Whom the Bell Tolls (1988, uncollected)  |g 35 --  |t Pendejismo (1993, Drink Cultura)  |g 39 --  |t What's in a Spanish Name? (1995, Spilling the Beans)  |g 42 --  |t Ay Caramba! (1995, Spilling the Beans)  |g 46 --  |t Bilingual Cognates (1995, Spilling the Beans)  |g 49 --  |t Spanish Words in Anglo-American Literature: A Chicano Perspective (1996, Spanish Loanwords in the English Language)  |g 52 --  |t Poetry --  |t Lo del Corazon (1986, 1992, Undocumented Love/Amor Indocumentado)  |g 56 --  |t Modismos (1980, 1992, Undocumented Love/Amor Indocumentado)  |g 58 --  |t Colors Have No Translations (date unknown, uncollected)  |g 60 --  |g Part 2  |t Cartoons  |g 63 --  |g Part 3  |t Las Fronteras of Culture Clash --  |t Essays --  |t Living Astride the Line between Two Cultures Can Be Difficult (1980, Denver Post)  |g 75 --  |t The First Thanksgiving (1988, Weedee Peepo)  |g 78 --  |t An Anglo, Jewish, Mexican Christmas (1988, Weedee Peepo)  |g 81 --  |t E.T. and Me (1988, Weedee Peepo)  |g 84 --  |t The White Gospel (1991, uncollected)  |g 87 --  |t Reasons to Celebrate El Cinco de Mayo (1993, Drink Cultura)  |g 92 --  |t The Last Supper of Chicano Heroes (1993, Drink Cultura)  |g 95 --  |t Pachucos and the Taxicab Brigade (1993, San Jose Weekly)  |g 99 --  |t Quetzalcoatl (1993, Spilling the Beans)  |g 107 --  |t One Who Knows Finds No Humor in Prejudice (date unknown, uncollected)  |g 112 --  |t For Whites Only (1991, uncollected)  |g 114 --  |t Chicano Art: A War That Was Never Won (date unknown, uncollected)  |g 117 --  |t Fiction --  |t It's in the Mail (date unknown, uncollected)  |g 120 --  |t La Puerta (1992, Mirrors beneath the Earth)  |g 124 --  |t Poetry --  |t Redwood City (1992, Undocumented Love/Amor Indocumentado)  |g 129 --  |t El Juan from Sanjo (1992, Undocumented Love/Amor Indocumentado)  |g 131 --  |t Sister Maria de la Natividad Burciaga Zapata (1992, Undocumented Love/Amor Indocumentado)  |g 133 --  |g Part 4  |t Virgin Variations  |g 135 --  |g Part 5  |t Cooks and Comidas --  |t Essays --  |t A Bohemian's Toast (1988, Weedee Peepo)  |g 151 --  |t I Remember Masa (1988, Weedee Peepo)  |g 154 --  |t Tio Pancho and the Margarita (1988, Weedee Peepo)  |g 161 --  |t The Great Taco War (1993, Drink Cultura)  |g 163 --  |t The Joy of Jalapenos (1993, Drink Cultura)  |g 167 --  |t Spilling the Beans (1995, Spilling the Beans)  |g 172 --  |t In Defense of the Jalapeno and Other Chiles (1995, Spilling the Beans)  |g 176 --  |t Poetry --  |t Litany for the Tomato (1992, Undocumented Love/Amor Indocumentado)  |g 180 --  |t Berta Crocker's Bicentennial Recipe (1992, Undocumented Love/Amor Indocumentado)  |g 182 --  |t Skool Daze (1992, Undocumented Love/Amor Indocumentado)  |g 183 --  |g Part 6  |t From His Sketch Pad  |g 185 --  |g Part 7  |t Friends  |g 195 --  |g Part 8  |t The Temple Gang (unpublished memoir) --  |t Set'n the Scene: El Paso, Texas  |g 203 --  |t Maria Guadalupe Fernandez  |g 208 --  |t Rabbi Joseph M. Roth  |g 212 --  |t The Day We Saw God  |g 215 --  |t Birth of the Temple Gang  |g 217 --  |t Work and Football  |g 219 --  |t From Hebrew School to St. Patrick's School  |g 224 --  |t Who Killed Jesus Christ?  |g 227 --  |t Mexico, Loved and Surreal  |g 229. 
520 1 |a "Widely considered one of the most important voices in the Chicano literary canon, Burciaga was a pioneer who exposed inequities and cultural difficulties through humor, art, and deceptively simple prose. In this anthology and tribute, Mimi Gladstein and Daniel Chacon bring together dozens of remarkable examples of Burciaga's work. His work never demonstrates machismo or sexism, as he believed strongly that all Chicano voices are equally valuable. Best known for his books Weedee Peepo, Drink Cultura, and Undocumented Love/ Amor Indocumentado, Burciaga was also a poet, cartoonist, founding member of the comedy troupe Cultura Clash, and a talented muralist whose well-known work The Last Supper of Chicano Heroes became almost more famous than the man." "This first and only collection of Burciaga's work features thirty-eight illustrations and incorporates previously unpublished essays and drawings, including selections from his manuscript "The Temple Gang," a memoir he was writing at the time of his death. In addition, Gladstein and Chacon address Burciaga's importance to Chicano letters. This rich compendium is an important contribution not only to Chicano literature but also to the preservation of the creative, spiritual, and political voice of a talented and passionate man."--Jacket. 
588 |a Description based on print version record. 
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