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Lars von Trier's Renewal of Film 1984-2014 : Signal, Pixel, Diagram /
Danish director Lars von Trier has produced more than 20 films since his first appearance with 'The Elements of Crime' in 1984. One of the most acknowledged - and most controversial - film directors of our time, Trier's films often escape the representational production of meaning. In...
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Danés |
| Publicado: |
Aarhus N, Denmark :
Aarhus University Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 041 | 1 | |a eng |h dan | |
| 100 | 1 | |a Thomsen, Bodil Marie, |d 1956- |e author. | |
| 240 | 1 | 0 | |a Lars von Triers fornyelse af filmen 1984-2014. |l English |
| 245 | 1 | 0 | |a Lars von Trier's Renewal of Film 1984-2014 : |b Signal, Pixel, Diagram / |c Bodil Marie Stavning Thomsen ; translated by Philip Mullarkey from the Danish edition. |
| 264 | 1 | |a Aarhus N, Denmark : |b Aarhus University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource: |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | 8 | |a Danish director Lars von Trier has produced more than 20 films since his first appearance with 'The Elements of Crime' in 1984. One of the most acknowledged - and most controversial - film directors of our time, Trier's films often escape the representational production of meaning. In 'Lars von Trier's Renewal of Film 1984-2014. Signal, Pixel, Diagram' scholar Bodil Marie Stavning Thomsen offers a comprehensive discussion of Lars von Trier's collected works. Examining Trier's experiments with narrative forms, genre, camera usage, light, and colour tones, she shows how Trier's unique ethically involving style activates the viewer's entire perception apparatus. In understanding this affective involvement, the author frames the discussion around concepts from Gilles Deleuze, Alois Riegl, Brian Massumi and others on the haptic image, the diagram, affect and the signaletic material. | |
| 546 | |a Translated from the Danish. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Trier, Lars von, |d 1956- |2 fast |0 (OCoLC)fst00389820 |
| 600 | 1 | 0 | |a Trier, Lars von, |d 1956- |x Criticism and interpretation. |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225 | |
| 650 | 7 | |a 24.32 history of film art. |0 (NL-LeOCL)077601394 |2 bcl | |
| 650 | 0 | |a Motion picture producers and directors |z Denmark. | |
| 651 | 7 | |a Denmark. |2 fast |0 (OCoLC)fst01204558 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Mullarkey, Philip, |e translator. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/101283/ |
| 945 | |a Project MUSE - Custom Collection | ||