Tunes for All? : Music on Danish Radio /

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In ten original essays, Danish music and media scholars discuss aspects of music on the radio from the 1920s until today. Understanding music radio as a distributed phenomenon or as a multiplicity, the authors draw upon anthropology, cultural studies and media studies along with sociological and his...

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Detalles Bibliográficos
Otros Autores: Nielsen, Steen Kaargaard (Editor ), Have, Iben, 1970- (Editor ), Krogh, Mads (Editor ), Michelsen, Morten, 1958- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Aarhus : Aarhus University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Radio music.
PERFORMING ARTS > Reference.
Radio music > Denmark.
Denmark.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Titelside; Colophon; Contents; Foreword; Introduction Music Radio Perspectives; I: Music Radio Research by Morten Michelsen; Radio Studies; Radio Studies and Music; Early Music Radio Research and Sociology; German Music Radio Research in the 1980s and 1990s; Anglo-American Perspectives: Social History and Cultural Studies; Music Radio Anthropology in France, the US and Scandinavia; Music Radio and Multidisciplinarity after the Turn of the Millennium; II: Danish Music Radio by The RAMUND research team; Music, Mass Media and Democracy; Live Music on the Air (1925-1962)
  • Records, Profiles and P3 (1963-1991)Flows and Files (1992- ); III: Music Radio Multiplicities by Mads Krogh; A Century ... ; ... of Radio ... ; ... and Music ... ; ... in Denmark; Perspectives, Themes, Tracks and Traces; Main Themes; Concluding Remarks; Non/Linear Radio Genre, Format and Rationalisation in DR Programming (Mads Krogh); DR Rationalisation; Genre and Format
  • Categorical Difference?; Genre and Format Rationality; DR Ir/Rationality; Concluding Remarks; To Go with the Flow and to Produce It The P3 Head of Music's Work in Practice (Katrine Wallevik)
  • Hero or Villain? Myths About the Head of Music and DRA Practice Perspective: ANT and Empirical Sensibility; The Head: Ideas of 'Structural Identity', Corporate Thinking and Questions of Agency; The Head in a Network of Actors; The P3 Network of Humans and Things; Conclusion; A Lost Link Between Music and Hosts The Development of a Morning Music Radio Programme (Iben Have); Go' Morgen P3: A Classic Morning Music Radio Programme; Mapping the Host Constellations 1989-2015; Development of Content in Five Programmes; Comparative Observations and Development; Familiarity, Moods and Everyday Life
  • Global Competition and 'Radiotised' Audio CultureAppendix; Oscillations, Interruptions and Interphonic Gearings On Music in Studio-Based Sports Radio (Nicolai Jorgensgaard Graakjaer); Sports, Radio and Music; The Assortment of Playlist Tracks; The Placements of Playlist Tracks; The Introduction, Interruption and Ending of Playlist Tracks; Conclusions: On the 'Grammar' and Modes of Listening; Appendix; Presenting a World of Music Musical Diversity and Cosmopolitan Practices Within the Danish Broadcasting Corporation (Kristine Ringsager)
  • Musical Globalisation, Cosmopolitan Awareness and the Agency of Radio PresentersBroadcasting Ethnomusicology: The Case of Poul Rovsing Olsen; A Popular 'Musical Missionary': The Case of Ole Reitov; Embedding the World: The Case of Sveta Rubin; In Closing; When the Hit Parade(s) Hit Denmark (Henrik Smith-Sivertsen); The Pre-History
  • Hit Parades in Europe; Teenagers and Hit Parades; DR Hit Parades 1962-1968 Ti vi ka' li'
  • Activating the Teenagers; Conclusion

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