Face and Mask : A Double History
Autor principal: | |
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton :
Princeton University Press,
2017.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover Page
- Half-title Page
- Title Page
- Copyright Page
- Contents
- Introduction: Defining the Subject
- I. Face and Mask: Changing Views
- 1. Facial Expression, Masks of the Self, and Roles of the Face
- 2. The Cult Origin of the Mask
- 3. Masks in Colonial Museums
- 4. Face and Mask in the Theater
- 5. From the Study of the Face to Brain Research
- 6. Nostalgia for the Face and the Death Mask in Modernity
- 7. Eulogy for the Face: Rilke and Artaud
- II. Portrait and Mask: The Face as Representation
- 8. The European Portrait as Mask
- 9. Face and Skull: Two Opposing Views
- 10. The "Real Face" of the Icon and the "Similar Face"
- 11. The Record of Memory and the Speech Act of the Face
- 12. Rembrandt's Self-Portraiture: Revolt against the Mask
- 13. Silent Screams in the Glass Case: The Face Set Free
- 14. Photography and Mask: Jorge Molder's Own Alien Face
- III. Media and Masks: The Production of Faces
- 15. The Consumption of Media Faces
- 16. Archives: Controlling the Faces of the Crowd
- 17. Video and Live Image: The Flight from the Mask
- 18. Ingmar Bergman and the Face in Film
- 19. Overpainting and Replicating the Face: Signs of Crisis
- 20. Mao's Face: State Icon and Pop Idol
- 21. Cyberfaces: Masks without Faces
- Acknowledgments
- Notes
- Literature Cited
- Index of Names