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Face and Mask : A Double History

Detalles Bibliográficos
Autor principal: Belting, Hans
Otros Autores: Hansen, Abby J., Hansen, Thomas S.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton : Princeton University Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover Page
  • Half-title Page
  • Title Page
  • Copyright Page
  • Contents
  • Introduction: Defining the Subject
  • I. Face and Mask: Changing Views
  • 1. Facial Expression, Masks of the Self, and Roles of the Face
  • 2. The Cult Origin of the Mask
  • 3. Masks in Colonial Museums
  • 4. Face and Mask in the Theater
  • 5. From the Study of the Face to Brain Research
  • 6. Nostalgia for the Face and the Death Mask in Modernity
  • 7. Eulogy for the Face: Rilke and Artaud
  • II. Portrait and Mask: The Face as Representation
  • 8. The European Portrait as Mask
  • 9. Face and Skull: Two Opposing Views
  • 10. The "Real Face" of the Icon and the "Similar Face"
  • 11. The Record of Memory and the Speech Act of the Face
  • 12. Rembrandt's Self-Portraiture: Revolt against the Mask
  • 13. Silent Screams in the Glass Case: The Face Set Free
  • 14. Photography and Mask: Jorge Molder's Own Alien Face
  • III. Media and Masks: The Production of Faces
  • 15. The Consumption of Media Faces
  • 16. Archives: Controlling the Faces of the Crowd
  • 17. Video and Live Image: The Flight from the Mask
  • 18. Ingmar Bergman and the Face in Film
  • 19. Overpainting and Replicating the Face: Signs of Crisis
  • 20. Mao's Face: State Icon and Pop Idol
  • 21. Cyberfaces: Masks without Faces
  • Acknowledgments
  • Notes
  • Literature Cited
  • Index of Names