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Art Activism for an Anticolonial Future /
Analyzes socially engaged art practices worldwide, linking them to decolonial struggle and critique.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
ALBANY :
STATE UNIV OF NEW YORK PR,
2021.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | musev2_100679 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053536.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 210917s2021 xx o 00 0 eng d | ||
| 020 | |a 9781438485744 | ||
| 020 | |z 9781438485720 | ||
| 020 | |z 9781438485737 | ||
| 035 | |a (OCoLC)1268326806 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Garrido Castellano, Carlos, |e author. | |
| 245 | 1 | 0 | |a Art Activism for an Anticolonial Future / |
| 264 | 1 | |a ALBANY : |b STATE UNIV OF NEW YORK PR, |c 2021. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
| 264 | 4 | |c ©2021. | |
| 300 | |a 1 online resource (348 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Undisciplining Socially Engaged Art -- Practicing Decolonialization -- Homegrown Theory -- Chapter Outline -- Part 1: Undisciplining Socially Engaged Art -- 1. Art Biennials and Postcolonialism's Politics of Discourse -- Postcolonialism Dematerialized (I): Biennialism and the Contemporary -- Postcolonialism Dematerialized (II): Theoretical Limitations -- Looking for Alternatives (I): Subversive Excavations -- Looking for Alternatives (II): Critical Regionalism -- Looking for Alternatives (III): Curated and Noncurated Collaboration -- Conclusion -- 2. The Lexicon of Social Practice and Socially Engaged Art's Futures -- The Lexicon of Social Practice -- Dealing with Socially Engaged Art's Master Narratives -- Birth of a Discipline -- Looking Anew: Racializing the "US" Genealogy of Socially Engaged Art -- Conclusion -- Part 2: Radical Affinities and the Horizon of Decolonization -- 3. On Experience, Land Use, and the Threats of the Bourgeoisie: Learning from Amílcar Cabral -- 4. Art, Engagement, and Popular Imagination: Around the "Missed Encounter" between Theodor Adorno and C. L. R. James -- Jamesian Aesthetics -- Paying Attention: James as Engaged Critic of Culture -- Creative Forms, Transnational Linkages, and the Militant Avant-Garde -- Conclusion -- Part 3: Legacies -- 5. The Boda Moment: Repositioning Socially Engaged Art in Contemporary Uganda -- II -- III -- IV -- Interlude I: Locating Socially Engaged Art in Africa -- V -- Interlude II: The Makerere Moment -- VI -- VII -- 6. Art and Politics in Times of Reform: The Collective and the Contemporary in Indonesia -- Taring Padi -- Periodizing Indonesian Collectivism -- Excursus: Collective Sampling/Sampling Collectivism -- ruangrupa -- Expanding the Field -- Conclusion. | |
| 505 | 0 | |a 7. Agency and (Street) Art Politics in Beirut: On Temporary Art Platform's Guide for Urban Intervention -- Part 4: Enclosures, Apertures, and the Performative -- 8. Utility, Multispecies Agency, and Speculative Study: On Ensayos -- Introduction -- Ensayos -- Historicizing Utility in the Americas -- Collaborative Art and/as Multispecies Entanglements -- Ensayos as Study Ecosystems -- Conclusions: Redefining Utility after the Privatization of Everything -- 9. Activism and Performance in the Age of Intellectual and Artistic Witch Hunting -- Some Facts ... and Fictions -- Fantasmagorias do Império (Imperial Ghosting) and the Making of Exclusionary Public Spaces -- Acting, the Enclosed, and the Unforeseeable -- Beyond Control, Hopefully -- Conclusion: Exposing Ourselves to Others -- Open Coda: Black Lives Matter and/for the Genealogies of Subversive Artistic Creativity -- Notes -- Bibliography -- Index. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a Analyzes socially engaged art practices worldwide, linking them to decolonial struggle and critique. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Decolonization in art. |2 fast |0 (OCoLC)fst01902986 | |
| 650 | 7 | |a Art |x Political aspects. |2 fast |0 (OCoLC)fst00815309 | |
| 650 | 7 | |a Art and social action. |2 fast |0 (OCoLC)fst01742274 | |
| 650 | 0 | |a Decolonization in art. | |
| 650 | 0 | |a Art and social action. | |
| 650 | 0 | |a Art |x Political aspects. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/100679/ |