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MdBmJHUP |
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20230905053533.0 |
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m o d |
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220416s2020 enk o 00 0 eng d |
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|a 9789956552047
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|z 9789956552757
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| 035 |
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|a (OCoLC)1311568037
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
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|a Belachew, Tekletsadik.
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| 245 |
1 |
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|a Stories from the Fireplace :
|b Theological Meditations on Haile Gerima's Cinema
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|a Oxford :
|b Langaa RPCIG,
|c 2020.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2022
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|c ©2020.
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|a 1 online resource (384 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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| 500 |
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|a Description based upon print version of record.
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|a Cover -- Title page -- Copyright page -- Dedication -- Praise For This Book -- Acknowledgment -- Contents -- Foreword -- Abstract -- Chapter 1 -- General Introduction -- Chapter 2 -- Haile Gerima: An African Cinematic Griot -- Introduction -- A. Around-the-Fire Education -- B. Invisible Colonialism as Mis-education -- C. Resisting Invisibility and Subservient Roles -- D. Inspirations from Third Cinema and "L.A. Rebellions" -- E. History of (mis)representations -- F. Demystifying Stereotypical Images and Stories -- Conclusion -- Chapter 3 -- Theology of Icon and Iconic Cinema -- Introduction
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|a A. Artistic Inspirations Through Ethiopian Icons -- B. What is after all an Icon? Definitions and Redefinitions -- C. Christ, the Icon Par Excellence -- D. Images of the Image: Humans as Icons and Icon Makers -- E. Human Iconography -- F. Ethiopian Iconography and African Theology -- Conclusion -- Chapter 4 -- African Cinema as Memory-History -- Introduction -- A. Hegel's A-Historical Africa and Colonial Memory -- B. An Erasure of African Memory -- C. Africa in the Memory of the Conventional Cinema -- D. Mypheduh: "Sacred Shield" of Culture and Memory
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|a E. Folkloric Storytelling as a Way of Remembering -- F. Recovering Popular Memories through Ruins and Stones -- G. Theological Sankofa, "Look Back to the Future" -- Conclusion -- Chapter 5 -- Folklores, African Cinematic Storytelling and Theologizing -- Introduction -- A. African Orality beyond the myth of "Primitive Art" -- B. Wax and Gold As Method of Interpreting African Cinema -- C. Silence in Folkloric Storytelling and in Cinema -- D. Griots Counterparts -- E. Myths of the Dragon -- F. Homo narratus -- Humans as Storytellers
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|a G. African Oral Memory of St. Mark and Folkloric Orality for Theology -- Conclusion -- Chapter 6 -- Being as Communion and Person as Ubuntu -- Introduction -- A. Resisting Radical Otherness and "Non-Being" -- B. Ontology of Personhood -- C. Otherness in Communion -- D. Communion in Otherness -- E. Ubuntuism: An African Philosophy of Personhood -- Conclusion -- Recommendations -- Appendix 1. An Interview with Haile Germia -- Bibliography -- Annotated Bibliography On And By Haile Gerima -- Appendix II -- Gallery -- Postscript: Poems -- Afterword -- Index -- Back cover
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| 588 |
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|a Description based on print version record.
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| 650 |
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|a Christianity and culture
|z Africa.
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|a Gerima, Haile.
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| 655 |
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|a Electronic books.
|2 local
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| 710 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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| 856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/100634/
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|a Project MUSE - Custom Collection
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