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A sculptor's manual /
A Sculptor's Manual focuses on the methods involved in sculpture. The manual first outlines drawing as a medium by which artistic creativity can evolve. The text notes that mastery of this talent can enable artists to become more analytical in their appreciation of their fellow beings, as well...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Pergamon Press,
1971.
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| Edición: | First edition. |
| Colección: | Commonwealth and international library. Painting, sculpture, and fine arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover ; A Sculptor's Manual; Copyright Page; Table of Contents ; PREFACE; ACKNOWLEDGEMENTS; CHAPTER 1. DRAWING; CHAPTER 2. STONE CARVING; First Big Carving in Stone-""Evolution""; Direct Carving; The Henry Florence Memorial Hall; Automatic Tools; Cartoons (and Sub-contracting); Cartoons in the Studio; Varieties of Stones; CHAPTER 3. MOVING HEAVY WEIGHTS; Moving by Suspension; CHAPTER 4. CARVING SLATE; Traditional Carving of Reliefs; CHAPTER 5. ARCHITECTURAL SCULPTURE; CHAPTER 6. WOOD CARVING; Carving a Hollow Rood; The Hanging Rood at the Church of St. Columba, Liverpool
- Teak Figure-headWood Carvings on the Cunarders; Resurrection of Old Wood; Woods Worth Carving; CHAPTER 7. MODELLING; Relief for the Church of St. Christopher, Liverpool; Figure of Sir Joshua Reynolds by Alfred Drury, R.A.; Armature for Modelling a Head; Modelling a Head; Terracotta; Terracotta Figure for Lord Beaverbrook; Kilns; CHAPTER 8. MODELLING A FIGURE; Drapery; Group Designing; CHAPTER 9. RELIEFS; Relief in Clay; CHAPTER 10. METHOD OF BUILDING A LARGE BRONZE MEMORIAL; CHAPTER 11. ENLARGING AND POINTING; 15 ft Stone Figure at the Adelphi, Strand; Dividers Proportional
- CHAPTER 12. THE BUILDING OF A 20ft ALUMINIUM STAGCHAPTER 13. LOST-WAX CASTING, OR CIRE-PERDU; Wax for Bronze Casting; Bronze Patinizing on Plaster; The Patinizing of Bronze; CHAPTER 14. BRONZE STATUE OF THE VENERABLE NYUANGYAN SAYADAW; CHAPTER 15. ALTERNATIVE METHOD OF CASTING A LARGE MEMORIAL; CHAPTER 16. FIBREGLASS-FIRST EXPERIMENTS; Large Fibreglass Figure at Putney, London; Bust in Cold-cast Metal (simulating Greened-bronze); Colouring a Cold-cast Metal; Modelling Direct Fibreglass; Large Fibreglass Figure for Marks and Spencers, London
- Large Fibreglass Group for New Development at Dudley, Worcs""The Astronomer"", Paddington Street, London; CHAPTER 17. MATERIALS FOR FIBREGLASS SCULPTURE; Deeglas (Fibreglass Reinforced Plastics); Spray Gun; Parting Agents; Thixotropic Pastes; Fire-retarding Gel Coat and Lay-up Resins; Micafil for Mixing with Polyester Resins; Flexible Rubber Moulds (Silastomer Cold Cure Rubber 9161); Filabond Polyester Resins; CHAPTER 18. FIBREGLASS MEMORIAL FOR A SYNAGOGUE; CHAPTER 19. PANEL IN RELIEF -MOSAIC OVER CEMENT FONDU; CHAPTER 20. PLASTER CASTING -WASTE MOULDING; Waste Mould of a Head
- Casting a Head in PlasterCHAPTER 21. BEATEN COPPER (REPOUSS�E WORK); CHAPTER 22. RECENT EXPERIMENTS IN CASTING; Full-Mould Technique-Polystyrene and Aluminium; Other Experiments; CHAPTER 23. COATS-OF-ARMS, BADGES, EMBLEMS; CHAPTER 24. REINFORCED CONCRETE BALCONIES; CHAPTER 25. 10ft ""CHRIST"" IN COAL DUST; CHAPTER 26. LARGE GLASS MEMORIAL TO SIR WINSTON CHURCHILL FOR DUDLEY, WORCESTERSHIRE; Large Cartoon; Breaking and Laying the Glass; Applying the Coloured Glass; Cutting the Glass; Modelling the Head of Sir Winston Churchill; Lighting; Resin Pots; Cleaning the Glass after Sticking; Danger