Broadcast sound technology /

Broadcast Sound Technology provides an explanation of the underlying principles of modern audio technology. Organized into 21 chapters, the book first describes the basic sound; behavior of sound waves; aspects of hearing, harming, and charming the ear; room acoustics; reverberation; microphones; ph...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Talbot-Smith, Michael
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; Boston : Butterworths, 1990.
Temas:
Sound > Recording and reproducing.
Sound studios.
Son > Enregistrement et reproduction.
TECHNOLOGY & ENGINEERING > Mechanical.
Sound > Recording and reproducing
Sound studios
Acceso en línea:Texto completo

MARC

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100 1 |a Talbot-Smith, Michael. 
245 1 0 |a Broadcast sound technology /  |c Michael Talbot-Smith. 
264 1 |a London ;  |a Boston :  |b Butterworths,  |c 1990. 
300 |a 1 online resource (xii, 212 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (page 208) and index. 
588 0 |a Print version record. 
505 0 |a Front Cover; Broadcast Sound Technology; Copyright Page; Foreword; Preface; Acknowledgements; Table of Contents; Chapter 1. Basic sound; What are sound waves?; The velocity of sound waves; Wavelength; Chapter 2. The behaviour of sound waves; Reflection and diffraction; The inverse square law; Decibels; Measuring sound pressure; Chapter 3. Aspects of hearing; The ear and the hearing process; The ear's response to different frequencies; Loudness and the phon; Chapter 4. Harming and charming the ear; Hearing impairment; Pitch; Harmonics; Timbre (pronounced 'tarmbre'); The fallibility of the ear. 
505 8 |a Chapter 5. Room acousticsSound insulation; Room resonances; Chapter 6. Reverberation; Reverberation time; Sabine's formula; Optimum reverberation times; Sound absorbers; Chapter 7. Microphones; Transducers; Moving-coil microphones; Ribbon microphones; Electrostatic microphones; Electret and RF electrostatic microphones; Directional characteristics; Chapter 8. Phantom power; 'Standard phantom', '48 V phantom'; 'A-B powering', 'modulation lead powering'; Chapter 9. Loudspeakers; The radiating surface; The transducer; The enclosure; Multiple unit loudspeakers; Specialized loudspeakers. 
505 8 |a Listening testsChapter 10. Basic stereo; How we locate sounds; Creating artificial time-of-arrival differences; Production of stereo signals; Coincident pair arrangements; Coincident pairs and panpots-applications; Spaced microphones; Compatibility: the M and S signals; M/S microphones; Headphones and stereo; Transmission of stereo (radio); Chapter 11. Monitoring the audio signal; The dynamic range of an audio signal; Zero level; The VU (volume unit) meter; The PPM (peak programme meter); Other types of programme measuring device; Stereo PPMs; Interpreting stereo PPM readings. 
505 8 |a Chapter 12. Processing the audio signalEqualization; Compressor/limiters; Noise gates; Chapter 13. Sockets and symbols; Jacks and sockets; Symbols; Chapter 14. Sound desks (mixing consoles); The basic functions of a sound desk; A typical channel; Groups; Output stages; 'Echo'; PA and foldback; Pre-fade listen (PFL) and after-fade listen (AFL); Clean feed; Multiway working; Deriving mono from stereo; Communications; Computer assisted mixing (CAM); Assignable facilities; Chapter 15. Digital audio; Sampling; Quantizing; Bits (binary digits); Bit-rate (bits per second); Error detection. 
505 8 |a Chapter 16. Further digitsTime division multiplex (TDM); Bit-rate reduction; Basic sound-in-syncs (SiS); NICAM 728; Chapter 17. Analogue tape recording and reproduction; The recording process; The replay process; Record and replay equalization; Azimuth; Full-size professional machines; Cassette machines; Cartridge machines; Track formats; Chapter 18. Digital recording and reproduction; Principles of digital tape recording and replay; The DASH system; R-DAT; The future of tape recording?; Compact discs; Oversampling; Chapter 19. Noise reduction; Dolby A; Dolby B; Dolby C. 
520 |a Broadcast Sound Technology provides an explanation of the underlying principles of modern audio technology. Organized into 21 chapters, the book first describes the basic sound; behavior of sound waves; aspects of hearing, harming, and charming the ear; room acoustics; reverberation; microphones; phantom power; loudspeakers; basic stereo; and monitoring of audio signal. Subsequent chapters explore the processing of audio signal, sockets, sound desks, and digital audio. Analogue and digital tape recording and reproduction, as well as noise reduction, are also explained. 
650 0 |a Sound  |x Recording and reproducing. 
650 0 |a Sound studios. 
650 6 |a Son  |x Enregistrement et reproduction.  |0 (CaQQLa)201-0005729 
650 7 |a TECHNOLOGY & ENGINEERING  |x Mechanical.  |2 bisacsh 
650 7 |a Sound  |x Recording and reproducing  |2 fast  |0 (OCoLC)fst01126957 
650 7 |a Sound studios  |2 fast  |0 (OCoLC)fst01127071 
776 0 8 |i Print version:  |a Talbot-Smith, Michael.  |t Broadcast sound technology  |z 0408054425  |w (DLC) 90001610  |w (OCoLC)21226504 
856 4 0 |u https://sciencedirect.uam.elogim.com/science/book/9780408054423  |z Texto completo 

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