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Handbook of the economics of art and culture. Vol. 2 /
This volume emphasizes the economic aspects of art and culture, a relatively new field that poses inherent problems for economics, with its quantitative concepts and tools. Building bridges across disciplines such as management, art history, art philosophy, sociology, and law, editors Victor Ginsbur...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
North Holland,
2013.
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| Colección: | Handbook of the Economics of Art and Culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Half Title; Introduction to the Series; Title Page; Copyright; Contents; Contributors; Acknowledgments; 1.2. Value and Evaluation in Art and Culture; 1.3. Demand, Consumption, and Investment; 1.4. Innovation and Technological Change; 1.5. Trade, Development, and Cultural Diversity; 1.6. Broader Cultural Issues; 1.7. Conclusion; References; Part One: Value and Evaluation in Art and Culture; 2.1. Introduction; 2.2. Achieved Eminence; 2.2.1 Evaluative Consensus; 2.2.2 Temporal Stability; 2.2.3 Skewed Distributions; 2.3. Individual Attributes; 2.3.1 Cognitive Abilities; 2.3.2 Dispositional Traits.
- 2.4. Lifespan Development2.4.1 Early Antecedents; 2.4.1.1 Family Background; 2.4.1.2 Expertise Acquisition; 2.4.2 Career Trajectories; 2.4.2.1 Productivity Curve; 2.4.2.2 Career Landmarks; 2.4.3 Life and Career Termination; 2.5. Social Processes; 2.5.1 Interpersonal Relationships; 2.5.2 Collaborative Groups; 2.5.3 Sociocultural Context; 2.5.3.1 Internal Milieu; 2.5.3.2 External Milieu; 2.6. Conclusion; References; 3.1. Introduction; 3.2. An Artwork as Stimulus; 3.2.1 First-Order Pictorial Elements of Visual Art.
- 3.2.2 The Organizational Structure of Artistic Compositions: Visual Rightness and Pictorial Balance3.2.3 Art on a Plate; 3.2.4 Film; 3.2.5 Neural Correlates of Aesthetic Judgments; 3.3. Processes Underlying an Aesthetic Experience with Visual Art; 3.3.1 The Two Phases of an Aesthetic Experience with Pictorial Art; 3.3.2 Techniques Used to Study the Two Phases of an Aesthetic Experience with Pictorial Art; 3.3.3 Pupillometrics; 3.3.4 Personal Data Assistants; 3.3.5 Computerized Dynamic Posturography; 3.4. The Viewer's Contribution to an Aesthetic Experience.
- 3.4.1 The Influence of Formal Training in Art on Aesthetic Phenomena3.4.2 Aesthetic Fluency; 3.4.3 Viewer Personality Traits Influence Aesthetic Reactions and Preferences; 3.4.4 Sample Size; 3.5. The Art Museum as Laboratory; 3.5.1 Audio Guide Augmentation of the Museum Experience; 3.5.2 The Influence of Structural and Contextual Factors on an Aesthetic Experience in a Museum Setting; 3.5.3 Is it the Case That When Viewing Visual Art, There is 'Nothing Like the Original'?; 3.6. Conclusion; References; 4.1. Introduction; 4.2. Hypotheses; 4.3. Data and Method; 4.3.1 Cultural Value Estimation.
- 4.3.2 Economic Value Estimation4.3.3 Model; 4.4. Results; 4.4.1 Estimates of Cultural Value for Self and Others; 4.4.2 Estimates of Economic Value; 4.4.3 Relationship between Economic and Cultural Value; 4.4.3.1 Overall Relationship; 4.4.3.2 Determinants and Non-Determinants of Economic Value; 4.5. Conclusion; Acknowledgments; Appendix 1: Details of Paintings; Painting 1; Painting 2; Painting 3; Painting 4; Painting 5; Painting 6; Appendix 2: Variables in the Model; Economic value; Cultural value; Painting characteristics; Respondent characteristics; References; 5.1. Introduction.