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Introduction to crime scene photography /
From the author of Crime Scene Photography, 2nd Edition, this introductory text serves as a detailed nuts-and-bolts version of its big brother, currently required reading for certification by the IAI Crime Scene Certification Board. Written for those just beginning their educations related to crime...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Academic Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Robinson, Edward M. | |
| 245 | 1 | 0 | |a Introduction to crime scene photography / |c Edward M. Robinson. |
| 260 | |a [Place of publication not identified] : |b Academic Press, |c 2012. | ||
| 300 | |a 1 online resource : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a From the author of Crime Scene Photography, 2nd Edition, this introductory text serves as a detailed nuts-and-bolts version of its big brother, currently required reading for certification by the IAI Crime Scene Certification Board. Written for those just beginning their educations related to crime scene investigations, Introduction to Crime Scene Photography shares many of the features of the advanced text. This text initiates the novice to all the essentials of basic crime scene photography techniques. And, it provides a smooth transition to the more complicated and advanced techniques found in the larger text. The beginning of the book deals with basic theory and science of photography. This acquaints the reader with knowledge required to take superior photographs using composition, lighting and focus. Then follows photographing the crime scene, including specialty types of photography such as ultraviolet, fluorescence and infrared, going digital, using photos specifically to document bodies, wounds, and other related components to the crime scene. Also included are two chapters on the legal aspects of forensic photography and digital image processing. | ||
| 505 | 0 | |a Front Cover; Introduction to Crime Scene Photography; Copyright; Dedication; Contents; Acknowledgments; Introduction; Chapter 1 -- An Overview of Crime Scene Photography and Composition; PHOTO DOCUMENTATION FORMS; COMPOSITION AND FULL FIELD OF VIEWRESPONSIBILITY; CHAPTER SUMMARY; Suggested Readings; Chapter 2 -- Exposure; THE PROPER EXPOSURE TRIANGLE; EXPOSURE VARIABLES; RECIPROCAL EXPOSURES; NORMAL VERSUS NON-NORMAL SCENES; EXPOSURE MODES; BRACKETING; THE F/16 SUNNY DAY RULE; COMMON FILTERS; CHAPTER SUMMARY; Suggested Readings; Chapter 3 -- Focus, Depth of Field, and Lenses; FOCUS. | |
| 505 | 8 | |a DEPTH OF FIELD (DOF)LENSES; CHAPTER SUMMARY; Suggested Readings; Chapter 4 -- Electronic Flash; MANUAL FLASH EXPOSURE MODE; AUTOMATIC AND DEDICATED/TTL FLASH EXPOSURE MODES; FILL-IN FLASH; DIRECT LIGHT; OBLIQUE LIGHT: HARD AND SOFT SHADOWS; BOUNCE FLASH; APERTURE PRIORITY MODE FOR LARGE, DIMLY LIT SCENES; CHAPTER SUMMARY; Suggested Readings; Chapter 5 -- Energy Filters and Sensors: Ultraviolet/Visible/Near Infrared; THE SPECTRUM; UV/IR CAMERAS; FILM AND OTHER CAMERA SENSORS; LIGHT (ENERGY); FILTERS; LUMINESCENCE; CHAPTER SUMMARY; Suggested Reading. | |
| 505 | 8 | |a Chapter 6 -Digital Processing of Evidentiary PhotographyIN THE BEGINNING; THAT REALLY BYTES!; DO YOU GIVE A RIP? RASTER GRAPHICS VERSUS VECTOR GRAPHICS; THE SPEED OF LIGHT ... I MEAN BITS; TAKING A BITE (MAKE THAT BYTE) OUTOF DIGITAL IMAGING; SOME LIKE THEIR DATA RAW; GUIDELINES AND STANDARDS; IMAGE CLASSIFICATIONS; THE BALL IS IN YOUR COURT; RELIABILITY; REPRODUCIBILITY; DISCOVERY; CASE LAW; WHAT GOES IN MUST COME OUT ... SORT OF; PIXELS, DOTS, AND SAMPLES, OH MY; CAN YOU SEE IT NOW?; IMAGE PROCESSING GUIDELINES; SUPPLEMENTAL GUIDELINES FOR BRUSH TOOLS (BURN AND DODGE); SUMMARY. | |
| 505 | 8 | |a Suggested ReadingChapter 7 -- Legal Issues Related to Photographsand Digital Images; PHOTOGRAPHS AND DIGITAL IMAGESAS EVIDENCE; A FAIR AND ACCURATE REPRESENTATION OF THE SCENE; RELEVANT AND MATERIAL; LEGAL IMPLICATIONS OF DIGITAL IMAGING; CHAPTER SUMMARY; Suggested Readings; Glossary; Index. | |
| 546 | |a English. | ||
| 650 | 0 | |a Legal photography. | |
| 650 | 0 | |a Crime scenes. | |
| 650 | 0 | |a Evidence, Criminal. | |
| 650 | 6 | |a Photographie judiciaire. |0 (CaQQLa)201-0084487 | |
| 650 | 6 | |a Lieux du crime. |0 (CaQQLa)201-0286235 | |
| 650 | 6 | |a Preuve (Droit p�enal) |0 (CaQQLa)201-0008999 | |
| 650 | 7 | |a forensic photography. |2 aat |0 (CStmoGRI)aat300256464 | |
| 650 | 7 | |a PHOTOGRAPHY |x Collections, Catalogs, Exhibitions |x General. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Individual Photographers |x Artists' Books. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Photoessays & Documentaries. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a Crime scenes |2 fast |0 (OCoLC)fst00883101 | |
| 650 | 7 | |a Evidence, Criminal |2 fast |0 (OCoLC)fst00917210 | |
| 650 | 7 | |a Legal photography |2 fast |0 (OCoLC)fst00995515 | |
| 655 | 7 | |a Handbooks and manuals |2 fast |0 (OCoLC)fst01423877 | |
| 776 | 0 | 8 | |i Print version: |a Robinson, Edward M. |t Introduction to crime scene photography. |d Amsterdam ; Boston, Mass. : Elsevier/Academic Press, 2013 |w (DLC) 2012938245 |
| 856 | 4 | 0 | |u https://sciencedirect.uam.elogim.com/science/book/9780123865434 |z Texto completo |