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Electronic art.
Computers are more and more becoming creative tools in music as well as in the visual arts and design. In the last few years, it has become clear that digital technology provides a platform for multimedia productions as well as a medium for new art forms. Computer Music and Computer Graphics & A...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores Corporativos: | , , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford, Eng. ; Elmsford, N.Y. :
Pergamon Press,
�1988.
|
| Colección: | Leonardo (Oxford, England). Supplemental issue ;
1988. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 100519s1988 enkaf ob 000 0 eng d | ||
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| 042 | |a dlr | ||
| 050 | 4 | |a N7433.8 |b .E38 1988 | |
| 072 | 7 | |a ART |x 060000 |2 bisacsh | |
| 072 | 7 | |a ART |x 025000 |2 bisacsh | |
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| 245 | 0 | 0 | |a Electronic art. |
| 260 | |a Oxford, Eng. ; |a Elmsford, N.Y. : |b Pergamon Press, |c �1988. | ||
| 300 | |a 1 online resource (123 pages, 2 unnumbered pages of plates) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Leonardo ; |v suppl. 1988 | |
| 504 | |a Includes bibliographical references. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 8 | |a Front Cover; Electronic Art; Copyright Page; Table of Contents; EDITORIAL; Chapter 1. Perceptual Correspondences of Abstract Animation and Synthetic Sound; DYNAMICS; Bibliography; Chapter 2. Art and Education in the Telematic Culture; APPENDIX; References; Chapter 3. The Electronic Bauhaus: Gestalt Technologies and the Electronic Challenge to Visual Art; THE ISDN FOR ART: TOWARDS ANARCHITECTURE OF COMMUNICATION; ECOTECHNOLOGY:DESIGN WITHECOLOGY; THE EXPERT SYSTEMARTIST:FIFTH-GENERATIONCOMPUTER CULTURE; References and Notes; Chapter 4. Logic and Time-Based Art Practice; SYSTEMATIC CONSTRUCTION. | |
| 505 | 8 | |a LOGIC PROGRAMMINGAND IMAGE HANDLINGTHE INFERENCE SYSTEM AND STRUCTURES IN TIME; JASPER: A SAMPLE WORK; FURTHER OPPORTUNITIES; Chapter 5. Computational Art; THE CONSTRUCTION OF AN IMAGINATIVE ARTIFACT; NOTATIONAL SYSTEMS; THE ALGORITHMIC GENIUS; CONCLUSION; References; Chapter 6. Establishing a Tonic Space with Digital Color; TONIC SPACE; METHOD OF MEASURE; TOWARDS DIGITAL COLOR CONCORD; RESERVATIONS AND CONCLUSIONS; Acknowledgments; Selected Reading; Chapter 7. The Creation Station: An Approach to a Multimedia Workstation; INTRODUCTION TO THE CREATION STATION; SOME SPECIFIC DESIGN CRITERIA. | |
| 505 | 8 | |a POTENTIAL PROGRAMMING OBSTACLESINTRODUCTION TO OBJECT-ORIENTED PROGRAMMING LANGUAGES AND OBJECTIVE-C; PROGRAMMING IN OOPLS; THE CREATION STATION BASICS; THE EDITOR AND EDITORUI; CONCLUSION; Bibliography; Chapter 8. Computer Music Languages . . .and the Real World; COMPUTER MUSIC LANGUAGES; PROPOSAL FOR CLASSIFICATION; CLASSIFICATION FOR PROGRAMMING LANGUAGES; CLASSIFICATION FOR MUSIC LANGUAGES; CONCLUSIONS; References and Notes; Further Reading; Chapter 9. Computer Graphics and Animationas Agents of Personal Evolution in the Arts; THE CHARACTERISTICS OF 'COMPUTER ART' | |
| 505 | 8 | |a THE CONSTRAINTSOF COMPUTER GRAPHICS TECHNOLOGYTHE CREATIVE ACT AS PERSONAL EVOLUTION; THECHARACTERISTICS OF CREATIVE PROCESS; THE COMPUTER AS AN EVOLUTIONARY AGENT; References; Chapter 10. Storing Art Images in Intelligent Computers; THE STORAGE PROBLEM; RECOVERING IMAGES FROM STORAGE; PROVIDING IMAGE INTELLIGENCE TO THE COMPUTER; ECONOMY RESULTING FROM INTELLIGENT IMAGE STORAGE; CONCLUSION; Acknowledgement; References and Notes; Chapter 11. The Making of a Film with Synthetic Actors; SCENARIO; CREATION OF THE ACTORS; ANIMATING THE HUMAN BODY; ANIMATING THE HANDS; ANIMATING A HUMAN FACE. | |
| 505 | 8 | |a REALISTIC ASPECTSSYNTHETIC CAMERAS AND LIGHTS; References and Notes; Chapter 12. Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/Performer's Testimony; ROBOTICS IN SYNCHOROS; SYNCHOROS IN THE CONYINUITY; THE CURRENT SYNCHOROS SYSTEM; METHODOLOGY:A NEW MUSIC-MACHINE RELATIONSHIP; INTERDEPENDENCE OF THE MUSICAL LEVELS; DEVELOPMENT OF THE SYSTEM; Chapter 13. Geometric Image Modelling of the Musical Object; THE PATTERN, THE RHYTHM AND THE IMAGE; GRAPHIC REPRESENTATION OF MUSICAL KNOWLEDGE; GRAPHIC SPECTRAL REPRESENTATION OF THE MUSICAL PHRASE. | |
| 520 | |a Computers are more and more becoming creative tools in music as well as in the visual arts and design. In the last few years, it has become clear that digital technology provides a platform for multimedia productions as well as a medium for new art forms. Computer Music and Computer Graphics & Animation have their own international forums. The need was felt, however, to bring together the diverse disciplines within art and technology in one international event - the First International Symposium on Electronic Art (FISEA). The Symposium attracted considerable interest and hundreds of papers and. | ||
| 650 | 0 | |a Computer art. | |
| 650 | 0 | |a Video art. | |
| 650 | 0 | |a Art, Modern |y 20th century. | |
| 650 | 0 | |a Art and technology. | |
| 650 | 0 | |a Computer art |v Congresses. | |
| 650 | 0 | |a Computer music |v Congresses. | |
| 650 | 0 | |a Electronic music |v Congresses. | |
| 650 | 0 | |a Video art |v Congresses. | |
| 650 | 6 | |a Art par ordinateur |0 (CaQQLa)201-0007204 |v Congr�es. |0 (CaQQLa)201-0378219 | |
| 650 | 6 | |a Musique par ordinateur |0 (CaQQLa)201-0038058 |v Congr�es. |0 (CaQQLa)201-0378219 | |
| 650 | 6 | |a Musique �electronique |0 (CaQQLa)201-0021617 |v Congr�es. |0 (CaQQLa)201-0378219 | |
| 650 | 6 | |a Art vid�eo |0 (CaQQLa)201-0061056 |v Congr�es. |0 (CaQQLa)201-0378219 | |
| 650 | 6 | |a Art vid�eo. |0 (CaQQLa)201-0061056 | |
| 650 | 6 | |a Art |y 20e si�ecle. |0 (CaQQLa)201-0001314 | |
| 650 | 6 | |a Art et technologie. |0 (CaQQLa)201-0033046 | |
| 650 | 7 | |a video art. |2 aat |0 (CStmoGRI)aat300102067 | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a Electronic music |2 fast |0 (OCoLC)fst00907363 | |
| 650 | 7 | |a Computer music |2 fast |0 (OCoLC)fst00872274 | |
| 650 | 7 | |a Art and technology |2 fast |0 (OCoLC)fst00815441 | |
| 650 | 7 | |a Art, Modern |2 fast |0 (OCoLC)fst00816615 | |
| 650 | 7 | |a Computer art |2 fast |0 (OCoLC)fst00872033 | |
| 650 | 7 | |a Video art |2 fast |0 (OCoLC)fst01166389 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a digital art (visual works) |2 aat |0 (CStmoGRI)aatgf300386810 | |
| 655 | 7 | |a video art. |2 aat |0 (CStmoGRI)aatgf300102067 | |
| 655 | 7 | |a Video art |2 fast |0 (OCoLC)fst01986267 | |
| 655 | 7 | |a Digital art |2 fast |0 (OCoLC)fst01986264 | |
| 655 | 7 | |a Conference papers and proceedings |2 fast |0 (OCoLC)fst01423772 | |
| 655 | 7 | |a Digital art. |2 lcgft | |
| 655 | 7 | |a Video art. |2 lcgft | |
| 655 | 7 | |a Arts num�eriques. |2 rvmgf |0 (CaQQLa)RVMGF-000001784 | |
| 655 | 7 | |a Art vid�eo. |2 rvmgf |0 (CaQQLa)RVMGF-000001795 | |
| 710 | 2 | |a Foundation for Creative Computer Applications. | |
| 710 | 2 | |a Utrecht Academy of Arts. |b Center for Art, Media and Technology. | |
| 711 | 2 | |a International Symposium on Electronic Art |n (1st : |d 1988 : |c The Netherlands) | |
| 776 | 0 | 8 | |i Print version: |t Electronic art. |d Oxford, Eng. ; Elmsford, N.Y. : Pergamon Press, �1988 |w (OCoLC)21990045 |
| 830 | 0 | |a Leonardo (Oxford, England). |p Supplemental issue ; |v 1988. | |
| 856 | 4 | 0 | |u https://sciencedirect.uam.elogim.com/science/book/9780080369785 |z Texto completo |