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Handbook of the economics of art and culture /

Over the last 30 or 40 years a substantial literature has grown up in which the tools of economic theory and analysis have been applied to problems in the arts and culture. Economists who have surveyed the field generally locate the origins of contemporary cultural economics as being in 1966, the ye...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Ginsburgh, Victor, Throsby, C. D.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; Boston [Mass.] : Elsevier North-Holland, 2006-
Edición:1st ed.
Colección:Handbooks in economics ; bk. 25.
Temas:
Acceso en línea:Texto completo
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MARC

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245 0 0 |a Handbook of the economics of art and culture /  |c edited by Victor A. Ginsburgh and David Throsby. 
250 |a 1st ed. 
260 |a Amsterdam ;  |a Boston [Mass.] :  |b Elsevier North-Holland,  |c 2006- 
300 |a 1 online resource (volumes <1->) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Handbooks in economics,  |x 0169-7218 ;  |v 25 
504 |a Includes bibliographical references and indexes. 
500 |a Revised papers from a conference held in Sept. 2004 at Princeton University. 
505 0 0 |t Art and culture in the history of economic thought --  |t The history of art markets --  |t The evolution of music markets --  |t Defining cultural and artistic goods --  |t Value and the valuation of art in economic and aesthetic theory --  |t The economic analysis of art law --  |t Copies of artworks : the case of paintings and prints --  |t Copyright, art and Internet : blessing the curse? --  |t Censorship versus freedom of expression in the arts --  |t The arts in the "new economy" --  |t Culture and economic performance --  |t Culture and economic development --  |t Empirical studies of demand for the performing arts --  |t Nonprofit firms in the performing arts --  |t Creativity and the behavior of artists --  |t Organization of arts and entertainment industries --  |t The media and advertising : a tale of two-sided markets --  |t The movies --  |t Rockonomics : the economics of popular music --  |t The economics of books --  |t Artistic labor markets : contingent work, excess supply and occupational risk management --  |t Artists' careers and their labor markets --  |t Human capital and artists' labour markets --  |t Stardom and talent --  |t Art auctions --  |t The computation of prices indices --  |t Cultural heritage : economic analysis and public policy --  |t The economics of museums --  |t Culture in urban and regional development --  |t Cultural districts and their role in developed and developing countries --  |t The arts and economic policy --  |t Culture in international trade --  |t The making of cultural policy : a European perspective --  |t Cultural policy : an American view --  |t Tax incentives in cultural policy --  |t Philanthropy. 
520 |a Over the last 30 or 40 years a substantial literature has grown up in which the tools of economic theory and analysis have been applied to problems in the arts and culture. Economists who have surveyed the field generally locate the origins of contemporary cultural economics as being in 1966, the year of publication of the first major work in modern times dedicated specifically to the economics of the arts. It was a book by Baumol and Bowen which showed that economic analysis could illuminate the supply of and demand for artistic services, the contribution of the arts sector to the economy, and the role of public policy. Following the appearance of the Baumol and Bowen work, interest in the economics of the arts grew steadily, embracing areas such as demand for the arts, the economic functions of artists, the role of the nonprofit sector, and other areas. Cultural economics also expanded to include the cultural or entertainment industries (the media, movies, the publishing industry, popular music), as well as heritage and museum management, property right questions (in particular copyright) and the role of new communication technologies such as the internet. The field is therefore located at the crossroads of several disciplines: economics and management, but also art history, art philosophy, sociology and law. The Handbook is placed firmly in economics, but it also builds bridges across these various disciplines and will thus be of interest to researchers in all these different fields, as well as to those who are engaged in cultural policy issues and the role of culture in the development of our societies. *Presents an overview of the history of art markets *Addresses the value of art and consumer behavior toward acquiring art *Examines the effect of art on economies of developed and developing countries around the world. 
588 0 |a Print version record. 
650 0 |a Arts  |x Economic aspects  |v Congresses. 
650 0 |a Art  |x Economic aspects  |v Congresses. 
650 0 |a Culture  |x Economic aspects  |v Congresses. 
650 0 |a Art  |x Economic aspects. 
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650 7 |a Arts  |x Economic aspects.  |2 fast  |0 (OCoLC)fst00817743 
650 7 |a Culture  |x Economic aspects.  |2 fast  |0 (OCoLC)fst00885064 
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650 7 |a Wirtschaft  |2 gnd  |0 (DE-588)4066399-1 
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650 1 7 |a Economische aspecten.  |2 gtt 
653 |a Samfundsvidenskab  |a &#xFFFD;konomi. 
655 7 |a Conference papers and proceedings.  |2 fast  |0 (OCoLC)fst01423772 
700 1 |a Ginsburgh, Victor. 
700 1 |a Throsby, C. D. 
776 0 8 |i Print version:  |t Handbook of the economics of art and culture.  |b 1st ed.  |d Amsterdam ; Boston [Mass.] : Elsevier North-Holland, 2006-  |w (DLC) 2007310344  |w (OCoLC)77282129 
830 0 |a Handbooks in economics ;  |v bk. 25. 
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