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The psychology of music /

The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplina...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Deutsch, Diana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: San Diego : Academic Press, �1999.
Edición:2nd ed.
Colección:Academic Press series in cognition and perception.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • J.R. Pierce, The Nature of Musical Sound.
  • M.R. Schroede, Concert Halls: From Magic to Number Theory.
  • N.M. Weinberger, Music and the Auditory System.
  • R. Rasch and R. Plomp, The Perception of Musical Tones.
  • J.C. Risset and D.L. Wessel, Exploration of Timbre by Analysis and Synthesis.
  • J. Sundberg, The Perception of Singing.
  • E.M. Burns, Intervals, Scales, and Tuning.
  • W.D. Ward, Absolute Pitch.
  • D. Deutsch, Grouping Mechanisms in Music.
  • D. Deutsch, Processing of Pitch Combinations.
  • J.J. Bharucha, Neural Nets, Temporal Composites and Tonality.
  • E. Narmour, Hierarchical Expectation and Musical Style.
  • A. Gabrielsson, Music Performance.
  • W.J. Dowling, The Development of Music Perception and Cognition.
  • R. Shuter-Dyson, Musical Ability.
  • O.S.M. Marin and D.W. Perry, Neurological Aspects of Music Perception and Performance.
  • E.C. Carterette and R.A. Kendall, Comparative Music Perception and Cognition.
  • Subject Index.
  • The nature of musical sound / John R. Pierce
  • Concert halls: from magic to number theory / Manfred R. Schroeder
  • Music and the auditory system / Norman M. Weinberger
  • The perception of musical tones / Rudolf Rasch and Reinier Plomp
  • Exploration of timbre by analysis and synthesis / Jean-Claude Risset and David L. Wessel
  • The perception of singing / Johan Sundberg
  • Intervals, scales, and tuning / Edward M. Burns
  • Absolute pitch / W. Dixon Ward
  • Grouping mechanisms in music / Diana Deutsch
  • The processing of pitch combinations / Diana Deutsch
  • Neural nets, temporal composites, and tonality / Jamshed J. Bharucha
  • Hierarchical expectaion and musical style / Eugene Narmour
  • Rhythm and timing in music / Eric F. Clarke
  • The performance of music / Alf Gabrielsson
  • The development of music perception and cognition / W. Jay Dowling
  • Musical ability / Rosamund Shuter-Dyson
  • Neurological aspects of music perception and performance / Oscar S.M. Marin and David W. Perry
  • Comparative music perception and cognition / Edward C. Carterette and Roger A. Kendall.