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The filmmaker's guide to creatively embracing limitations : not getting what you want leading to creating what you need /

"Starting out as a filmmaker comes with a whole host of limitations and challenges that lead to one key question: how do you channel your creativity within these limitations to create a compelling and impactful film? Authors William Pace and Ingrid Stobbe provide both historical and contemporar...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Pace, William (Faculty associate of digital media production) (Autor), Stobbe, Ingrid (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Abingdon, Oxon ; New York, NY : Routledge, 2023.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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100 1 |a Pace, William  |c (Faculty associate of digital media production),  |e author. 
245 1 4 |a The filmmaker's guide to creatively embracing limitations :  |b not getting what you want leading to creating what you need /  |c Williams Pace and Ingrid Stobbe. 
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264 1 |a Abingdon, Oxon ;  |a New York, NY :  |b Routledge,  |c 2023. 
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504 |a Includes bibliographical references. 
505 0 |a The problem of choice -- Historical limitations throughout film production's evolution leading to innovation -- Film, digital, accessibility + contemporary trends -- From sow's ear to silk purse : successful case histories of creative victories through limitation -- The why of why : why is each element important and how does limitation aid the storyteller? -- Exercises in limitation : storytelling on the page -- Exercises in limitation : storytelling on screen -- Exercises in limitation : storytelling in the editing room -- The day you have no limitations is the day you have no choice -- Interviews with working artists on the role of limitations in creating their work -- Spare scenes for your use and practice. 
520 |a "Starting out as a filmmaker comes with a whole host of limitations and challenges that lead to one key question: how do you channel your creativity within these limitations to create a compelling and impactful film? Authors William Pace and Ingrid Stobbe provide both historical and contemporary examples to provide context for filmmaking successes, as well outlining practical exercises filmmakers can apply to their own creative processes. Looking into limitations and restrictions that arise at all stages of the film production process, the book illuminates the importance of developing unique creative muscles and how to apply this potential to your own work. This is a unique text in the field that provides both a theoretical and practical approach to inspired and savvy filmmaking. Drawing on examples from Frank Oz, Pete Docter, Chloé Zhao, and Lee Isaac Chung, filmmakers will gain a well-rounded understanding of the creative processes behind narrative production and how to shape their own independent creative by encouraging budget-conscious and creatively aware filmmaking. Foregrounding strategy and capability, making a film for the first time is no longer overwhelming with this highly practical textbook. Ideal for undergraduate students of film production and first-time filmmakers"--  |c Provided by publisher. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
545 0 |a William Pace is an alumnus of NYU's acclaimed graduate Film & TV program and has written five distributed independent feature films (four of which he co-produced), assorted TV episodes, and several optioned screenplays. He has also directed the award-winning feature film Charming Billy, and several award-winning short films, including "A Relaxing Day" (written by Pulitzer-nominated playwright Theresa Rebeck). He continues to work professionally as well as serve as a Faculty Associate of Digital Media Production at Seton Hall University in New Jersey, USA, where he teaches screenwriting, film production, and editing. Ingrid Stobbe is an Assistant Professor of Digital Filmmaking at Lesley University's College of Art & Design in Cambridge. She is an Advisor to the board of Women in Film & Video New England, as well as a former editorial board member of the Journal of Film & Video, and previously served on the Marketing Committee for the Metropolitan New York Chapter of the US National Committee for UN Women. She has comprehensive experience designing curricula for the visual arts, and her pedagogy has been internationally recognized - most recently including the 2021 Best-In-Track award at OLC Innovate, and the 2020 University Film and Video Association Award of Teaching Excellence. She additionally advises tenure track and full-time academic applications, and regularly speaks at various institutions about media production's evolving landscape, and its broader social impact. 
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