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Contemporary Cinematographers on Their Art /
The twelve interviews in this book cover all aspects of cinematography from pre-production planning to post-production, special effects, aerial photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in movies and television shows were lit an...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Routledge,
1998.
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| Edición: | 1st edition. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Rogers, Pauline, |e author. | |
| 245 | 1 | 0 | |a Contemporary Cinematographers on Their Art / |c Rogers, Pauline. |
| 250 | |a 1st edition. | ||
| 264 | 1 | |a [Place of publication not identified] : |b Routledge, |c 1998. | |
| 300 | |a 1 online resource (240 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 520 | |a The twelve interviews in this book cover all aspects of cinematography from pre-production planning to post-production, special effects, aerial photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in movies and television shows were lit and captured. Technically and philosophically oriented, Contemporary Cinematographers on Their Art explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political properties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment. Covering a variety of film and television genres--from soaps to half-hour sitcoms, to cable and network productions and low- and big-budget features--each interview explores the tools cinematographers use to capture their shots, from traditional equipment to innovative camera and lighting "toys," as well as the integration of mechanical and computer graphic effects. | ||
| 542 | |f Copyright © Routledge 1998 |g 1998 | ||
| 550 | |a Made available through: Safari, an O'Reilly Media Company. | ||
| 588 | 0 | |a Online resource; Title from title page (viewed January 19, 1998). | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Cinematography. | |
| 650 | 0 | |a Cinematographers |v Interviews. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 6 | |a Directeurs de la photographie |v Entretiens. | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Cinematography |2 fast | |
| 650 | 7 | |a Cinematographers |2 fast | |
| 655 | 7 | |a Interviews |2 fast | |
| 710 | 2 | |a O'Reilly for Higher Education (Firm), |e distributor. | |
| 710 | 2 | |a Safari, an O'Reilly Media Company. | |
| 776 | 0 | 8 | |i Print version : |z 9780240803098 |
| 776 | 0 | 8 | |i Print version: |z 9781136045783 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9781136045776/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 994 | |a 92 |b IZTAP | ||